Faux Fighters, Real Performance

Saturday 1st September.

New month and a new band for me to review.
I’d heard a lot about The Faux Fighters. I was all set to see them last time they visited Worcester, but I wasn’t well and couldn’t make it. From what I heard after, I’d missed out. I wasn’t about to let that happen again.
This time, the band had support from local band Altered Voltage. Singer Tash, who I’ve written about before, opened the evening with three solo songs, serenading the growing crowd as the doors opened. As before, when I saw her provide support for U2Baby, Tash mesmorised everyone with her dulcet tones, again stunning everyone during her performance of Wicked Games.

Tash of Altered Voltage taken by Kieran Ford

She was joined on stage by her Altered Voltage band mates to perform an eclectic set of 8 songs. Being in a group transforms Tash, from being the simplistic guitar strumming songbird, into a crazy little rocker, and the foursome gel wonderfully onstage together. The songs chosen were perfect to show case the bands collective skills and knowledge of music, choosing perhaps lesser known tunes and turning them into their own. For such a young band, they had a captive audience, everyone I heard talking about them was lavashing deserved praise

.  The band attracted at least two people to the dancefloor from the opening song, Wolves of Winter by Biffy Clyro, and there they stayed for the whole set.  I’ve heard that Swim Down by Moose Blood is a band favourite to perform and it showed, the energy from all four members was insane and it was impossible not to fall in love with everything this band has to offer. Every time I see them perform, they have grown, evolved. And it’s exciting.

 “I bet you look good on the Dancefloor” was arguably the song that ramped up the mood in the venue, calling for frantic dance moves from the crowd and onstage. 

A dedication from the singer to her Dad led us into  popular choice, No-one Knows by Queens of the Stone Age, before the set was concluded with Lights Out by Royal Blood,a song which has previously, aptly, caused stage malfunctions when performed by the band, inspiring their name. The only sparks that flew this time though, came from the group themselves,  proving they were very worthy candidates to warm up the waiting crowd. 

​Since delving into this writing malarkey, I’ve found myself in a position where I’m reviewing music I’m not familiar with. Original artists are great, as their music is previously unheard by most of the people in the venue. When you’re reviewing a tribute band however, the opposite is true. Facing the mighty Faux Fighters, I felt I was wet behind the ears, a little like an outsider, if I’m honest, and the pressure to “get it right” was immense. The venue had filled with people who would know The Foo Fighters inside out, and apart from maybe two songs, I knew NOTHING! 

I knew what the band looked like, I knew who the lead singer was, but I’d never watched any of their live performances, although I had caught a song they performed at The Brits this year. Their music had passed me by. Was I finally out of my depth with this one? Would I have to admit defeat? Armed with notebook,pen and a whole heap of determination, I waited. 

As taken by Kieran Ford

As the screen lifted and the intro led into the opening song “No way back”, the first thing to hit me was the singers striking resemblance to Dave Grohl. Staggering infact. The two “dancers” had stayed front and centre and were joined by a friend, a small crowd forming as the band threw their energy off the stage and into the venue. No pause for breath between one song into the next, “I’ll stick around” enticed more people onto the dance floor, filling it up in front of us so we had no choice but to stand. “Up in Arms” and “My Hero” , which incidentally was the first song I recognised, followed. The music was loud, and polished. These guys were clearly professionals at what they were delivering.

The fifth song of the first set served up a little surprise. Tash from Altered Voltage and Maddie from another local band, Nexus, joined the band onstage to provide harmonic backing vocals for Sky is a Neighbourhood, the song I remembered was performed on the Brits earlier this year. The song has the perfect alt-rock pulse to suit the trio of singers now onstage and it’s fair to say this moment was certainly one that would be talked about after the show.

Sky is a Neighbourhood featuring Tash and Maddie

 The groovy beat and winding guitars in Generator headed up another run of crowd pleasing favourites. The songs were delivered with so much passion, I had to wonder how I’d gotten through life without ever hearing them before. It certainly was the kind of music I like, and the Faux Fighters were expertly serving me each song in perfectly digestible ear splitting, throat tearing morsels of awesomeness. As the first set came to end with “Stacked Actors”, the venue was fit to burst, as more people joined the Faux party, long since ditching a Peaky Blinders event that had happened earlier that evening, to join us while dressed in their finest outfits. 

As I’ve admitted to not knowing much about the Foo Fighters, I took the opportunity to talk to the people around me who clearly did. The best testament a tribute act can get is that of a die hard fan of the original band. One guy I chatted to had seen the Foos several times live, each ticket costing him an arm and a leg, but in his opinion, worth every penny. He did however then say, “but for a tenner I’ve seen these guys, the music is just as good, he bloody looks like Dave, it might as well be the real thing”. Out of the mouths of fans. 

The band came roaring back onto stage and into the limelight with the power of wild lion. “Rope” opened the set, then into “Breakout” which , from assessing the adoring crowd, was a winner with the fans. By this point , the guy behind me had noticed me frantically taking notes, desperate to capture the atmosphere I was feeling there and then, and decided to take it upon himself to remind me to add “potatoes” to my shopping list, a joke that became a running theme throughout the rest of the evening. “Learn to Fly” was jam packed full of rip roaring riffs, causing the swaying crowd to sing, dance, jump and bounce in unison. Blokes hugging, songs have meanings to people, and if a tribute act can successfully convey the same meaning to a person as the original artist, then that’s proof indeed that they must be doing something right. 

The guys took the opportunity inbetween songs to do a few birthday wishes to crowd members before going into “For all the cows” , prompting the guy behind me to tell me to add milk to my now hypothetical comedic shopping list. Two more songs ran into a wind down “Wheels” and I really studied what was going on around me and on stage. The crowd was literally buzzing, as if the ground beneath them was electrified, making them jump around uncontrollably. They were loving it. The band members looked professional, they looked as though they were performing to thousands, not hundreds, they looked like the real deal to my eyes, my eyes that would only recognise Dave Grohl on a Foo Fighters poster. I guess what I’m trying to say is that they looked like they belonged up there on that stage. As far as I was concerned, they might as well of been the real deal.  Not knowing enough of their music before hand to make a comparison, I could only go on my feeling on the night itself. It was a good feeling. Not one person remained seated. All eyes and ears were on the band. If anyone left early, I sure as hell didn’t notice. All I saw were more and more people squeeze onto the dancefloor as each drum bashing, guitar screeching, vocal powered song went by. 

They have the ability to turn a small dance floor into a heaving mosh pit. That’s admirable! 

After All My Life and Arlandria, thanks was given to my partner in crime Sarah, for taking the photos. Sarah is one of those die hard, life long fans of The Foo Fighters, and having heard her talk about these guys before, I knew I’d be in for a treat.

By the time they reached “Best of you”, I was a mental, hot and sweaty mess. I got adopted by the guys that had been around us all evening and whisked into the middle of the dance floor in a long line of bouncing bodies and intertwined arms. The songs outtro lasted an eternity, with strains of “woah ooh-oh” from the crowd continuing long after the song had finished, reaching its climax with a Mexican wave of adoring arms showing how much the music was being appreciated. If that had been the last song of the set, I have a feeling we would still be there now. I have only ever experienced that kind of reaction to one song before, and that is when Shed Seven finished a live gig with “Chasing Rainbows” , and the chorus continues long after the band has milked the adoration, left the stage and the crowd is back out in the street heading home . It’s epic. It’s belonging. It’s what music does. It’s what good bands evoke. 

“Pretender” took the already manic crowd to a whole other level, before more screaming vocals on Run led into Monkey Wrench and then the finale song “Everlong” leaving the crowd wanting more. But there was no more to give. The guys had put everything they’d got into that performance, leaving it lingering within everyone that was there to witness a tour worthy show. 

My words can only say so much about a performance like this. My words are no substitute to actually being there. The photos can capture a small snap shot of the evening, but you have to be there to feel the heat, and the passion from the band and it’s fans. 

To The Faux Fighters themselves, well done and thank you. You were kinda epic! 
Follow the band:-

The Faux Fighters on Facebook

Photos unless otherwise stated by Lissywitch Photos.

Follow Altered Voltage on Facebook and catch them next at Dragon Heart Rocks www.dragonheart.nutickets.com


Experience and Desire under the Shadow of The Joshua Tree.

​It was finally Saturday 5th May.

Over a year of waiting. 

Back in March 2017, I fell in love with the music of U2 after seeing tribute band U2Baby. They inspired me to write down my experience of that night, because, the performance I witnessed made me listen to U2 songs in a way I never had before, and to seek out more. It’s fair to say, I fell in love with U2 songs, as performed by U2Baby.
Their return coincided with my birthday shenanigans this year, and after reviewing every other gig I’ve been to since theirs, I’d vowed to leave my reporters notebook at home and just enjoy a night out as a crowd member with my friends for once. However, I couldn’t leave my ears, my brain and my heart at home. They go wherever I go and so yet again I’m compelled to write down my experience, after being left physically and mentally buzzing.
A rare sunny bank holiday weekend, an even rarer Saturday off for me, I woke up knowing I had an epic day ahead of me. During the day I met up with two friends I hadn’t seen for a few years, drinking wine and having a picnic down by the river.
After a quick pit stop home to refuel and change, I was out for the U2Baby gig I’d waited so long for. I’d managed to persuade some friends to join me so I knew the night was going to be as brilliant as the sun soaked, wine filled day. My photographer friend L and I had worked hard to promote this gig in our own way, desperate to provide the kind of crowd U2Baby deserved, fresh from their headline slot at a Tribute festival in Bahrain.
Support came in the form of local acoustic singer/songwriter Tash Hurdiss. Her voice is absolutely incredible, and the audience were stunned into impressed silence during her set. Particular highlights included outstanding covers of Chris Isaacs’ Wicked Game, and Space Oddity by the legend Bowie, for which she was joined onstage retrospectively by Cerys and then Chris, her band mates and also extremely talented local musicians, adding extra support with their guitar flare. Space Oddity, especially, moved most people I had the pleasure of talking to, with Tashs vocals, surprisingly deep and smouldering, lending themselves perfectly to a fitting tribute to a much loved musician. For me, a highlight was a song she wrote herself titled Josephina. From seeing her perform before, I know the song is about her best friend, and it is beautiful, brings tears to my eyes as the message of wishing her well and how much she loves her is so clear.  She created a buzz, and since the gig I’ve read so many comments about how amazing the support act was. A triumph for Worcester, the Marrs Bar and those of us desperate to see local artists get the foot up they deserve.

Tash Hurdiss

The venue had filled up around me as everyone had been transfixed by Tash, so by 9.15pm when U2Baby took to the stage, we were ready to party.

A wicked guitar riff and energetic drum beat lead us into the first song The Fly, and some of the crowd were on their feet dancing from the outset, something I’ve not seen at a gig for so long, usually waiting until at least a few songs in. This song was the perfect opener on the night, showcasing the bands skills with reverberating guitar solos, rhythmic beats of the drums and the bass was booming. Next was I Will Follow, an early single by U2 with a more indie rock feel, with a chanting chorus that anyone can, and did, pick up on, to sing along to.

Third on the set list was Out of Control, a song written by Bono on his 18th birthday, keeping the crowd singing along and dancing with its fast tempo and wicked, almost mod/punk style verses.

More well known tracks such as Beautiful Day and Vertigo kept us all on our feet and singing along.

Lights of Home was the first song we heard from latest U2 album, Songs of Experience and for me this is where, with a slightly slower tempo and gentler backing track, the vocals of the lead singer really began shine. His voice on the higher notes leading to the title line really took hold of me, I couldn’t help but listen to every word, their meaning becoming clear to me. As I’ve said before, I fell in love with U2 songs the first time I saw U2Baby, but vocally, the tribute bands singer, Ric, resonates with me stronger than Bono himself. As I explain in that first review, U2Baby introduced me to songs I’d never heard before, so it is their version I seek out when I want to listen to a certain song for a reason. Visually too, when I watch U2 performances, I recognise the stance that Adam takes to be the same as that I’ve seen from Ash. The intensity on The Edges face perfectly merges with my memory of Simon. The powerful beats and gentle brushes I see from Larry replicate my recollection of Jon, and the encouragement of interaction from the crowd and stand behind the microphone that Bono takes, is reminiscent of Ric. I’ve done things the wrong way round, seeing U2Baby before becoming a U2 fan, but it works for me. Even down to the equipment used, these guys do not miss a trick.

More classics, Desire and New Years Day, led us into the soft opening of “The Little Things That Give You Away”, another vocal exposing song, which was delivered beautifully and had the hairs on the back of my neck standing. A favourite of mine from the new album, despite many people saying its a “safe” song. The lyrics have developed a personal meaning for me, and to hear them being sung with such emotion makes the crowd fade away so that it’s just me and the band stood in the room. Towards the end, the track picks up pace around the heartfelt vocals, so that the voice and instruments merge beautifully together alongside each other, drums and cymbals crashing, before falling away softly as the song ends. U2Baby performed it with such passion, I felt every word.

The first half of the set was finished off with Still Haven’t Found What I’m Looking For and Until the End of the World, leaving me and the rest of the room wanting more. I didn’t even venture to the bar for fear of missing something.

Second half opened with Even Better Than The Real Thing and the epic Sunday Bloody Sunday. Then we were treated to Trip Through Your Wires, a funky little tune I’d never heard before U2Baby compelled me to go add every album to my CD collection. The harmonica gets another outing after seeing it earlier for Desire, another string to the talented bands bow, and another addition towards their accurate portrayal of the band themselves. One and Ultraviolet followed, before Kite. I took my place firmly by the side of my gig partner L for this one, knowing what meaning the song holds for her. Such an iconic song with powerful lyrics, and a symphony of music to back it up, it was impossible not to feel the emotion from L and from Ric on stage, as his own voice cracked with the purest reality of the song, with the lyric “don’t want to see you cry”, having the opposite effect causing real tears to flow, testament indeed to the band to reproduce such a personal song to the same emotional degree as the real U2. If I see someone cry, it makes me cry too, I’m an emotional, sensitive wreck and music has magical powers to evoke and bring forth every possible emotion.

Following Kite , a little side story developed. Back in May 2017, lead singer Ric joined L and myself at a Mused gig at The Marrs Bar,a relatively local Muse tribute band. Their support act that night was fronted by talented singer, Maddie. Ric thoroughly enjoyed the support act but Maddies awkward boom stand bothered him, so much so he vowed to pass on an original 60’s stand that he no longer needed himself.  Easily adjustable with just one hand, the stand was the same as ones used by the likes of  Hendrix, Thin Lizzy and Bono himself. True to his word, the stand was presented to Maddie by Ric that night, showing support of a new generation of musicians.

Get Out of Your Own Way turned the mood back to a positive defiance, where the room joined in with the uplifting lyrics empowering people to stick up for themselves and do what they need to do. “I can help you but it’s your fight” rang around the venue. The songs from the newest U2 album going down well with the crowd.

Get Out Of Your Own Way

Crowd pleasing anthem With or Without You, led into the deep groove of Bullet the Blue Sky, where a literal spotlight was directed onto Simon as “Economy Edge” by his brother Ric as “Budget Bono”, forcing the focus rightly so on the epic skills of a very talented musician and showing again the amazing attention to detail the boys pay to recreate, as closely as they possibly can, a real live U2 performance.

Next up was Running to Stand Still transitioning into Where the Streets have no name. Without having years of being a U2 fan under my belt, the live performance had escaped my notice of this particular combination, but having now researched it, and watched, I understand the link more, an underlying note feeding one spectacularly into the other. I don’t claim to be a U2 boffin on when and where each nuance and reference comes from, but I know the guys do, and that’s one of many reasons I’m so impressed by them. With some songs, I’m seeing and hearing things for the first time via U2Baby, things that die hard fans know all about from performances by the real band, from mannerisms and quirky little ad-lib outros on certain tracks. I’m learning. 

The crowd in full swing and fine voice!

Exit saw the introduction of The Shadowman. Research before the gig, when I heard that the guys were starting to include it in their own show, revealed to me that it was a character created by Bono to help him perform Exit, a song that associated to bad times for him, and it let him step into a different persona to avoid feeling the pain. Watching videos of Bonos Shadowman, the character is mysterious, almost creepy, maybe even a little eccentric, and although Rics portrayal was perhaps slightly less obvious, there were more than enough elements amongst his movements, vocal tone and of course change of outfit to include a dapper hat, to make the character recognisable to fans. Rics version of The Shadowmans entrance onto stage was sinister and almost hypnotic, setting the tone with an apt steely glare, captivating his audience.

The Shadowman

The final track of the set was Bad, another song I hadn’t known before seeing these guys the first time round, but have grown to love. It is a fan favourite, especially when performed live as it has complex layers that build up with the intensity of the song, showcasing each instrument, including the voice, perfectly. A song written in memory of a friend with a heroin addiction, it’s another that draws raw emotion from the performers, and a song that has everything. Beautiful musical arrangements, poetic lyrics, powerful meanings and of course notoriety after it was performed by U2 at Live Aid (if you don’t know my reference, Google it). And in true Bono style, the tune ended up with an outro, this one being Heroes by David Bowie, and from just a few lines I was desperate to hear the band play the whole song.

After a few long seconds off stage, the inevitable encore opened a selection box of three more songs. The heart warming All I Want is You, where during the line “cradle to the grave”, the pitch Rics voice hits on a certain note, is enough to make me revert back to being an obsessed teenage girl again,  the vibrant and colourful rendition of Helter Skelter and the final song, dedicated to yours truly for my birthday, Elevation, a feel good end to àn epic show. Everyone was up dancing, everyone! With chants of “More” as the band took their final bow, we knew the end had come but were reluctantly letting go, losing ourselves completely in another outstanding, electrifying performance. Why did it have to end? One thing I’ve found since following the band is that the U2 fans are like one big family, all connected by the messages U2 songs hold. U2Baby bring that message to the masses. To people like me, who never has and probably never will see U2 live. Following a tribute band like this one is all inclusive, giving everyone access to the experience of being at a real U2 gig. It’s a feel good, mood lifting, friendly experience where everyone gets together to have a good time.  Each member of the band is an exceptional musician in their own right, and deserve to be recognised as such, each playing an audio and visual role in the performance. Each as important as the other. 

If the music doesn’t move you, you’re not listening to it right. 

Worcester NEEDS to see this band again. We need the excitement. We need the feeling of comradery they bring. We need nights out as epic as they deliver. 

2019? I only wish we don’t have to wait so long. 

Myself & “Budget Bono” aka Ric

*Disclaimer… All thoughts, opinions and recollections are mine and mine alone! Any inaccuracies can be blamed on the fact that I didn’t intend to review this one so I’m relying on my memory alone of the night! (’twas my birthday night out, in case I hadn’t mentioned!)

Myself with Tash and the band.

Follow the band:-

U2Baby on Facebook

Photos by Lissywitch Photos

Lissywitch on Facebook

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Uncover Night- 5/4/18

​Thursday nights are a bit of a nothing night. 

Not quite the weekend, not feeling as relaxed and refreshed as the beginning of the week. It’s easy to forgive anyone who wants to stay in and wallow into nothingness.
But, what happens if…. you venture out? From experience, as I crawl closer to my next day off, the thought of rushing home from work to eat, get ready and go out when I have work again the next day, is not one I enjoy. However, also from experience, I often end up so glad I did make the effort.
5th April, Uncover were hosting a line up of four acts at The Marrs Bar.
First up was a young guy going by the name “Keys”. With what I noted down as “epic hair”, he oozed coolness as he and his guitar took to the stage. Unassuming on stage, he treated our ears to a collection of haunting ballads with silky soft vocals. All but one of the tracks performed were from his new EP, 24 Miles, although we did get one song not from the release, and performed without a backing track. His music offered a promise of the sound of the oceans waves, laid back, transporting us to a different, calmer, warmer and almost psychedelic place. His final track, and last track on his EP, Platforms, was my favourite of his set, a tap along, plinky stringed tune, which had me thinking of gentle raindrops in the aforementioned ocean. A nice little start to the evening.

With an upbeat musical intro, next to take the stage were Myra, a four piece band from the West Midlands, offering a little set of covers, some I knew, some I didn’t, (I can only fool myself that I’m 40 going on 20 for so long!) The female vocalist was sassy and on trend, and I particularly liked their grungier, drum beat heavy version of R U Mine by The Artic Monkeys, and the crowd pleasing “I bet you look good on the dancefloor”, with Hash Pipe by Weezer thrown inbetween. I love a good sing along and Myra offered that on the night with youth and enthusiasm, superb musicians who clearly have a future ahead of them, especially if they venture into original material too. From the covers they offered, I think I’d like the musical direction they take. 

Third on the agenda was Alex Lleo, a musician I’ve had the pleasure of seeing before, most recently down by the river during Worcester Music Festival. Replace the river with the sea and a sun soaked beach and that’s exactly where Alex’s self penned, heartfelt music and lyrics will take you. Think cruising along a beachfront with the soft top down, wind in your hair, and you’ll get the chilled out vibes I’m describing. Musically on a par, for me, with Paulo Nutini mixed with a little James Morrison, Alex is well known and loved in Worcester, and rightly so. With songs such as This Time Last Year, which spoke of how things have changed, to tales of looking out over New York from a penthouse apartment, we were taken on a journey through his life, a scrapbook in song form. His last song was about his 94 year old Grandad, tugging at our heartstrings with the story of visiting his empty home, described as an Aladdins cave, but without the man himself. 

Headline act of the night was Theo. I’d never seen him perform before, but as he set his drum kit up on the floor in front of the audience, not on stage, I was intrigued. I moved closer, having a feeling this would be something kinda special. I wasn’t wrong. I stopped taking notes in the first minute as I was in awe of this guy. One guy, a loop pedal, a guitar and a drum kit. He started off with a few gentle notes on the guitar, then played a riff over the original few notes, looping in the background, then added more, layer upon layer. As the intensity of the looping layers of guitar riffs grew, Theo jumped wildy onto the drums, and the whole, already electrifying performance, went up another notch. Each layer forming an epic musical parade, if I hadn’t seen and heard for myself, I would’ve been forgiven for thinking several musicians stood in front of us. As each tune came to an end, Theo stripped back the layers to start a new one, fading out the drumming, right back down to a gentle strum, but never stopping, one flowed seamlessly into the next, his energy unwavering, pausing only to swig at his drink as the kaleidoscope of sound vibrated around us. His music was inspiring, my 14 year old son went away from that night with ideas forming in his own musical brain. 

I would’ve sat at home doing nothing. Instead, for less than a tenner, I saw four awesome artists, and had a brilliant night out with family and friends. Life’s too short to literally Netflix and chill. Get out. Do more. You won’t regret it. Love live music? Then support your local venue. #useitorloseit 

Follow the artists:–

Click here for Keys

Click here for Myra

Click here for Alex Lleo

Click here for Theo 

Photography as always by:-

Lissywitch Photos

Event organised by Uncover

Join our group here for updates on live music events in Worcester. 

Bandeoke Night at Paradiddles

​​Back in December, 2017, I heard about a new live music venue opening in Worcester. 

Billed as a music cafe-bar , it was offering live music events, food, rehearsal space for bands. It sounded like my ideal hangout. I also heard that it only had a capacity of 80, which was split between 2 “rooms”, the main bar area, and a room off to the side where bands would perform. It was hard to visualise but I was desperate to check it out. In their first few months they hosted several gigs and the feedback I was hearing was only adding to my desire to go, but gigs clashed with other commitments.

Until Friday 30th March. Good Friday. My son was away, my other half was working, I had a free pass! 

Paradiddles, the new venue developed over two years by Kit and Rachel, is a space designed for socialising, relaxing and offering an interactive space for creative arts. That particular night, professional West Midlands function band, Polkadot Robot, were hosting a “Bandeoke” night. Band members Kerry, Chris and Crag replaced their usual singer Lucy, with a host of guest singers brave enough to take to the stage to sing one of the songs that had been listed on social media in the previous weeks. 

Arriving early so L could set up her camera equipment, the bar area was already filling up, but despite the cold, wet, weather, the atmosphere inside was warm and welcoming. In the second room, the band were setting up and sound checking. The room seemed small and I was still intrigued and apprehensive as to how the evening would pan out. 

Opening the night was Ed Steelefox, locally known for his DJ skills rather than singing, treating us to a rendition of Sweet Disposition. Around me the room had filled, but it didn’t feel cramped, it felt “inclusive” , everyone there to share a fun night of live music, smiles and laughter, including the owners.

Ed Steelefox

As the night progressed, singers young and old took to the stage, covering a wide range of musical genres. We had the likes of Paulina singing Holiday by Green Day, a very charismatic performer full of stage presence and confidence that had the crowd singing along.


Becki brought sass to Tainted Love and Valerie with a surprisingly powerful voice from her little frame, a lovely soulful voice that belonged in the spotlight. 



Having only recently ventured into this live music blogging malarkey, I’ve become familiar with names of people involved in the local music scene, and Paradiddles gave me the opportunity to put faces to names. Chris Burton took to the stage to sing Welcome to the Monkey House, a song drummer Crag was so adamant no-one would choose, he vowed to eat his shoe if they did. True to his word, Crag swallowed a piece of shaved off Converse with a drink, certifiably confirming this as the most random night I’ve blogged about. 

Owner Kit also took to the stage, with the energy to match his choice of song, Hotel Yorba by The White Stripes, his long hair flowing wildy across his face until it was tamed by the introduction of his woolly hat. The crowd was singing along, everyone having so much fun.


One of my favourite songs, Mr Brightside was performed by Jess, who is in her own local band The Social Outcasts. She was followed by another young and upcoming local artist, Alec, from 3WOD , who put his heart and soul into a version of “Hate to say I told you so” by The Hives, showing the expression and passion of a born performer. 

As the evening went on, a few singers that had signed up to sing weren’t there, but there was no shortage of brave souls offering to step up to the stage, meaning we got unprepared performances of songs such as Rebel Yell by Billy Idol. Beer in hand, belting out the words, these were the true stars of the night, stepping in so that the party didn’t stop.

Fun on stage.

Some singers were awesome, others just there to have fun, some rather tipsy, but no-one judged, criticised or berated anyone onstage, the general consensus was that everyone enjoyed everyone who performed. As each “performer” took the stage, the audience changed, making way for friends and family members to savour the enjoyment of seeing their nearest and dearest having an amazing time. 

The second half kicked off with the crowd helping Jess out with Ghostbusters, you seriously couldn’t get a wider variety of music packed into one night. The Power of Love sung by Siãn, Parklife sung by Emilie and Summer of 69 performed by Allan, amongst others got the bandeoke treatment. Becki, with Man, I feel like a woman and Mercy, and Paulina with 1985 and Pour Some Sugar on me, came back for more of the adrenaline rush being in the spotlight was offering.


A guy named Chris shocked everyone by hitting the high notes usually left to The Darkness frontman Justin when he sang “I believe in a thing called love” and was clearly a crowd pleaser as he sang two more songs to the cheers and encouragement of the cosy gathering crowd. Loving the attention and enjoying being on stage…fully embracing the whole feel of the evening. 


Two young girls sang together, choosing 2003 song “Are you gonna be girl” by Jet, showing that it was an evening that everyone could get involved with, whatever their musical tastes of preferences.

Are You Gonna Be My Girl

The night ended with Alec heroically learning Rock and Roll Star in just ten minutes after the original singer didn’t show, and left the crowd singing along with an epic 90s anthem. 

Alec ending the night with Rock n Roll Star

Polkadot Robot were flawless throughout the whole evening, despite the change in tempo and genre, they kept going effortlessly from one song to the next, showcasing their skill and talent and loving every minute of it! No technical issues, no lull, no loss of energy. Full speed from start to finish. The venue was perfect for the occasion, as I popped to the bar the music could still be heard and enjoyed by those wishing to stay seated in the bar area, under the cymbal lightshades and next to Animal from The Muppets playing the drums in the door way. 

Bandeoke is not a concept I’d ever come across before, but the organisation and execution of the event has definitely made me want to go along to future gigs at Paradiddles, and any other events where I’ll see Polkadot Robot. 10/10 to all involved. 

Paradiddles are quoted as saying that they believe in music being “The Great Communicator” , and from my position at the back of the room, watching and listening to everything going on, they have well and truly created the space they wanted to, which was based around “music, connectivity and communication” . For that night at least, we were all connected by the love, fun and buzz created by music. 

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Supermassive turn out as Mused set our souls alight.

Saturday 3rd March 2018.

Country wide we were still under yellow weather warnings as “The Beast from the East” and Storm Emma turned our towns and cities into white deserts. Snow drifts to rival sand dunes stopped workers, shoppers and school kids from going about their day to day duties. Half days and food frenzy shopping took place as people feared being secluded from the outside world in apocalyptic conditions. 

There was one place in Worcester though, where a united love of live music became stronger than the worry of whether, once you’d gotten there, would you be able to get home as it felt like glaciers would be forming, not melting, in the dead of night. 

That place was The Marrs Bar. 

Much loved Muse tribute band “Mused” were back, this time with support by a new local band, Nexus. The venue was the fullest I’ve seen it for a while, showing that a bit of bad weather won’t stop a loyal following of fans. Friends and family of Nexus helped make up the weather braving audience, but Mused have a well deserved following of their own, as the lads themselves are fairly local, hailing from around the West Midlands.

Nexus opened the night. The band is made up of singer Maddie, Tom on drums, James on guitar and Dave on bass. All members have emerged from the Worcester School of Rock and Performance, which gives young musicians of any ability the chance to learn new skills and use existing ones. Although all still young, and a recently established band line up, its fair to say, as soon as the band took to the stage, despite the obvious and understandable signs of nerves, they looked professional and more polished than you’d expect from their ages. Maddie was the quintessential Rock Chick, dressed in black,with red feather earring dangling from her left ear. Opening track “Had Enough” by Lower than Atlantis instantly made me notice that Maddies voice had the ability to make any cover they were going to throw at us into a version they could call their own.  When the strains of Nirvanas “Smells like teen spirit” started, I wasn’t worried that a personal favourite of mine wouldn’t be delivered well. Maddie appeared lost in the music as she belted the song out, and her voice effortlessly switched from low notes to high as required by the song, and the intensity in her voice was matching the crescendos of the talented musicians alongside her. I was impressed.  

In a tribute to the late Dolores O’Riordan, “Zombie” by The Cranberries was probably my favourite in the set, as it showcased the full range of Maddie’s vocals, hitting all the melodic high notes required. After “My House” by PVRIS, where Maddie states she finds it harder to do female vocal songs (Maddie, you are note perfect whatever you sing), we were treated to an untitled original song by the band. After a mellow start, with chilled out vibes, it leads into a frantic upbeat tune which sat perfectly amongst their choice of covers, leaving me with a sense of excitement about the future of this band. Royal Bloods “Little Monster”, Nickelbacks “How you Remind me”, Led Zeppelin’s “Whole Lotta Love” and “Paranoid” by Black Sabbath followed, Maddie vocally keeping up and growing in confidence as the set went on. The rockier songs showing off the skills of the whole band with edgy guitar rifts and drums to raise the roof. The bands enthusiasm and love of music was clear to see, and their performance on the night was exceptional.

Final song of the set, fittingly, was “Hysteria” by Muse, which again didn’t disappoint me, or the eager Mused fans. The applause spoke for itself. 

It wasn’t long before Mused hit the stage. Fresh from watching the real Muse live stream a gig from Paris on social media on 24th February, I was excited to see Mused singer Carl emulate Matt Bellamys choice of outfit from that set, and the first thing I noted down in my trusty gig review notebook was “Red Trousers!”. As Drill Sergeant rang out across the venue, the audience dutifully replied “Aye, Sir” as the intro to Psycho played and we were all caught up in the moment. My favourite ever song to play when needing to let off steam, the Mused boys were spot on with choosing this as their opener. Snow? What snow? Muse only appeared on my musical radar in 2015, I was unfashionably late to the party but I’ve made up for lost time. The album that introduced me to them was “Drones”, so I admit to having a soft spot for any song from that, and I was happy to hear “Reapers” played next. 

It didn’t take much to get the crowd clapping out the beat to “Starlight”, a rare softer side of Muse which was note perfect by singer and band as a whole. Carl has a huge task on his hands to even get close to the range of Matt Bellamy, big shoes to fill. He not only fills those shoes, but stomps and jumps around the stage in them in his portrayal of the man himself. A back catalogue of songs followed, Supermassive Black Hole more well known by non Muse fans,into Muscle Museum, Hysteria, Hyper Music and The Handler. “New Born” seemed a crowd favourite with rhythmic clapping and chanting from a group of lads front and centre in front of the band. Mused are born performers, intent on delivering impeccable renditions of a live Muse performance, rather than just an accurate portrayal of a studio recorded album, from the ad lib interactions with each other on stage, to the musical rifts from one song into another. 

Bliss followed , and then we had “Madness”, which, since starting from Drones and working backwards, I’ve discovered is a bit of a Marmite song for the die hard Muse fans. I’m definitely on the love it team, and Mused embrace the song and deliver it with a passion that makes it hard for anyone listening not to admit they, too, love it a bit. 

By this point, my photographer friend  L had climbed up onto the side of the stage to capture some of the action. Whereas I’m listening, watching, looking around at the vibe of the audience, L focuses purely on the band,and through the lens, captures the essence of the performers themselves. She can tell if a band is into a song, caught up in the moment and focused in the zone, and she expertly times the press of her camera buttons to freeze time and forever capture a moment. She has photographed Mused on several occasions. And she absolutely loves doing it! The energy buzzes from the stage and down the lens. From certain angles Carl LOOKS like Matt, which only adds to the whole “effect” of the performance.

“Feeling Good” is an iconic cover by the Muse guys, and Mused do the song justice, right down to the megaphone section, a song that even non Muse fans can get behind and join in with, a classic, with a wicked twist. On a visual note, the red sparkly Cort guitar did not go unnoticed. Little details that add towards the stage persona. 

Resistance, Time is running out and Mercy kept the energy on stage and off at maximum. “Plug in Baby” always seems to get the crowd going and it was clear to see for a few couples this was “their song” and the opening screechy rifts sent them into a frenzy. Knights of Cydonia ended the set, an anthem among Muse fans and a song that Carl, Stu and Chris clearly love to perform. Highly instrumental, it really does show the skills and accuracy all three lads possess. No Muse song is easy to perform. Notes are fast and furious on the guitars, beats on the drum are critical to the song, not just an additional back ground beat as with some bands, but an essential part of the track, and vocally Matt is not easy to match. Clear to see, the band have fun. On stage with each other, and through crowd interaction, and that’s another reason to fall in love with these guys.

Chants of “more” echoed round the venue as the band made to go off stage. We knew they’d be back. Unsustainable plays as the band gear up for an encore. “Supremacy” is a song Mused have apparently never played at Worcester before, but the song went down a storm. “Uprising” is a well known Muse song, one of a handful I’d known before falling in love with them, and has become a personal triumphant song for me, so, although already hoarse and tired from singing and dancing all night, I kept going to adamantly claim that I would not be forced, degraded or controlled and that I would, indeed, be victorious. Music speaks to a lot of people, and to find an act that performs songs that have grown to mean so much to me at such a high standard is really the closest thing I’ll probably get to seeing the real band play. The dedication and commitment to the show is noticeable, but above all, the fun and engery they exude on stage is intoxicating. 

 The show was closed with “Stockholm Syndrome”, ending most definitely with a bang and not a whimper. From the outset, the setlist was a crowd pleaser, and if the set had continued for another hour I have no doubt in my mind that the Mused lads would not of strayed or wavered from brilliance. My feet however, probably couldn’t of danced anymore.

As the saying goes, all good things must, unfortunately, come to an end (but not before I had a fan girl moment of my own)

Carl, me, Chris and Stu.

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Mused Return to Worcester. Time is Running Out! 

What will you be doing this time next week?..
Will you be sat at home watching The Voice, a TV entertainment show centred around finding a new musical artist? You’d be watching that because you like music, right? Or will you be sat in a pub with your mates, the music so loud you can barely even hear each other anyway, so you decide to get up and dance but the song that comes on next is really not to your taste? 

Can I make a suggestion? Get down to your local music venues and go see some “LIVE” music. 

What will I be doing? Well, you see, I’m lucky, because my local music venue just happens to be hosting a gig by my favourite tribute band.

Mused return to The Marrs Bar on Saturday 3rd March and I for one, can not wait! 

I have never seen MUSE live. They only really came into my musical life in 2015, and since then, I’ve not had the money, or the time to sit on the phone trying to get tickets to fulfil my desire to see them. I love Muse. They are my go-to band when life is a bit, well, what can I say, crap? The iconic vocals of Matt Bellamy and the thrashing musical beats their songs provide and offer the perfect “scream it out” therapy. 

I have, however, seen MUSED. And shall I tell you something? They are awesome! 

Promotional Photo used by Mused

So in the run up to their return to Worcester, I thought I’d talk to the guys and let them tell you why you should come along and see them.

Introduce yourselves, who are Mused and how did you form?

We are Carl (Matt),  Stu (Chris)  & Chris (Dom) – Mused first formed about 5 years ago and the band has had a few changes over the years with Carl joining us 3 years ago and Stu about 2 1/2 years ago. 

We originally formed with an old school friend of mine (Chris) when we set up a punk covers band, we auditioned for a bass player and after a few sessions we realised how much we loved performing Muse songs, this then evolved us into a MUSE Tribute band as at the time there wasn’t one! Our singer left and that was when Carl auditioned and got the part. When our bass player left, Carl’s friend Stu came along to a studio and we just clicked instantly! The rest is history, we went from strength to strength over the years and now really enjoy what we do, and are all good friends which makes it good fun too!

I love that the band themselves are all good friends and that Mused was born from a love of performing Muse songs. The band members themselves have seen Muse live a few times, from Wembley, Ricoh Arena & LG Arena, so they know how the real band put on an electrifying performance. I can only imagine the atmosphere at a real Muse gig, but through Mused I can experience an accurate audio representation. Matt Bellamy hits high notes like no other artist I know, but Carl, well, you’ll just have to come and see for yourselves. I have so many favourite songs by Muse and I love to hear Mused play each of them, Psycho being a personal favourite, going back to my earlier “scream it out” comment. I wonder which the boys like performing…

Do you have a collective favorite Muse song to perform?

Ooo- there’s loads!! We always love Psycho, and have just reintroduced Supremacy which is great to do, we also love to do the old back catalogue like Muscle Museum & Deadstar.

Both times I’ve previously seen Mused perform has been at my local live music venue The Marrs Bar. Easily accessible using public transport, with parking nearby, it’s ideal for me as its literally at the bottom of my road, walking distance. Mused have been fortunate enough to play festivals and small venues alike. Returning to venues they have played before is a positive sign that they enjoy it, and that the crowds will turn up to support them. 

What has been your most memorable gig as Mused to date and why?

We love it at The Marrs Bar, this is one of our faves as its always a great crowd, and the staff are so easy to work with. We also love the big Festivals that we do over the summer months, its always great to see a crowd of thousands enjoy what we do 🙂

You’ve played Worcester a few times now, what can my home town expect from you guys this time around?

I would say a slicker performance! We always push to obtain perfection in what we do, Supremacy is a new track we’ve not done there before, and we’ve also put back in Hyper Music.

It sounds like Worcester is in for a fantastic show. What I’ve noticed about Mused, is that rather than trying to replicate Muse tracks straight from the albums, a lot of time and effort is put into recreating the live Muse concert experience , with the way they go from one song to the next. Carl has captured the essence of Matt perfectly, and from certain angles, the visual similarities are uncanny. I decided to ask them a bit more about how they learn the songs and recreate an overall Muse experience, aswell  as digging down deeper into their rehearsal process. 

Muse seem to be getting a bit of stick for their latest releases, Dig Down and Thought Contagion.. Personally I embrace the new sound, are you looking forward to the new album and learning new songs?

Yes definitely! We love Thought Contagion and do plan on doing it asap, but its just getting time to learn it in-between gigs and personal life! We are waiting to see how the track is done live so we pull off a live Muse performance!

 How long on average does it take you guys to learn a new track?

Not long actually, we tend to learn it ourselves at home, watch live performances and then get together to work on it together, generally gets done in a day.

Aside from Muse, who else musically inspires you?

Crikey, Loads! – Black Sabbath, Older punk bands like Echo & The Bunnymen, and new bands like Marmozets, Vukovi, The Joy Formidable.

Do you all enter a “character mode” when on stage to deliver a more accurate portrayal of Muse or is the stage presence natural now, as you really do a fantastic job?

Haha, well we do our best to look and dress the part, plus we put in as much stage presence as Muse for the show, do but we do keep our own personalities, hence Carl & Stu with Birmingham accents!!

Mused obviously love what they do, and its clear to see they have fun on stage as much as the crowd have fun watching them. I love that they “keep it real” with their own personalities shining through. 

When the quality of the music speaks for itself, they can afford to relax and enjoy what they do. Even more exciting news about next weeks gig, Mused have enlisted local hard rock band Nexus to be their support act.

Nexus – photograph by GiBrownie Photography

For me at least, Mused have Supremacy in the tribute band field. 

Roll on next week. 

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Life on Marrs – The Man in the Stars

10th January 2016.

The day the world lost the most flamboyant, influential, iconic and trail blazing  British singer/songwriter the universe has ever seen. After a career spanning five decades, every music lover I know was devastated by the loss of David Bowie. His music was, and of course still is, instantly recognisable. After his death, our airwaves were inundated with plays of his most famous hits, with no less than 8 of his songs ending up in the January 2016 top 100 UK charts. I never had an opportunity to see Bowie live, I don’t imagine many of you reading this did. By the time I was born, his musical career had already surpassed 10 years. 

Fast forward to 17th February 2018.

The Marrs Bar, Worcester. 

Bowie Tribute act “Aladdinsane” came to play. 

Billed as the greatest Bowie tribute in the UK and beyond, Paul Henderson and his band had big space boots to fill.

Opening aptly with Space Oddity, which was indeed Bowie’s first top 5 entry into the UK singles chart in July 1969, Paul, dressed in simple white shirt and black waistcoat, took to the stage with the famous line of “Ground control to Major Tom” and it became instantly apparent that the billing had been correct. Bowie used his natural baritone singing voice to storytell his songs, often not even trying to hide his heavy English accent. Yet his pitch and range was phenomenal. Paul was recreating that in his opening number, clearly showing years of dedication and real admiration for the man he was portraying. Paul once appeared on Stars in their Eyes, and having seen that performance, which in itself was spot on, its clear to see that since then, Paul has worked away at this persona and its paid off. So, an iconic song to open with, brave almost as its so well known, but absolutely the right choice to reel us in. 

After greeting the crowd and announcing it was their first time in Worcester, we were treated to Starman and then into Ashes to Ashes. The guitar is put down and Paul is able to showcase the moves and mannerisms of Bowie, and as the song peaks, the actions are more dramatic, and the whole sound and vision of Bowie that his advertising posters claim to offer, are showcased to their full extent. Although confident and out-going, I often thought Bowie always had a slight awkwardness onstage, which Paul carried out perfectly. The twitch of the head, the stilted but everso dramatic arm movements, it was uncanny. 

The tempo raised with a perfect rendition of Fame, fading out to strains of “War, what is it good for?”, exaggerated dance moves only added to the experience we were being treated to. I didn’t know the next two songs, Be My Wife and Boys Keep Swinging but, I have no doubt they were as vocally close to the originals as we’ll ever be lucky enough to hear, but I was soon brought back to familiarity with Let’s Dance and Changes. 

The Man who Sold the World and Moonage Daydream led up to the end of the first set, a personal favourite of mine, Life on Mars, delivered impeccably, suitably emotional. 

During the interval, I took a moment to look around. My trusty photographer friend L had found out that a fair few people there had travelled from Paul’s home town and surrounding areas, and there was a handful of our own local crowd there. Everyone was buzzing about what they’d seen so far, eagerly waiting for more.  

The second set came with an outfit change, more of the ilk of Bowie’s Glam Rock alter ego Ziggy Stardust. “The Jean Genie” from the 1973 album “Aladdin Sane” saw the crowd get on their feet and there they stayed for the rest of the evening. “Ziggy Stardust” and “Stay” led into “Heroes”, which saw Paul come to the front of the stage and the subtle backing music left his impeccable vocals exposed. We were treated to a bit of Sax with a rendition of ” Sorrow”, followed by “Time”. A song I didn’t know, but felt very show tune, and Paul gave a stage show performance, dropping to his knees and giving all the emotion the song called for. 

Another crowd pleaser was “China Girl”.  By now the dancing crowd were in full swing, and I noticed a girl dancing barefoot with her partner, younger than me but clearly loving the iconic music as much as the older crowd. A woman with long blond hair danced alone, the music clearly running through her veins. Hello Spaceboy, John I’m only Dancing, All the Young Dudes and Queen Bitch followed, taking us to the last song of the night, Rebel Rebel. A rocky tune to dance to, some of the band went out onto the dance floor and the crowd were left wanting more. A short walk off stage led to an encore of White Light/White Heat, another song I didn’t know, but one that I’ll now forever remember.

A repeated line asked “What’s that sound?”. 

The sound that night was most definitely Bowie. 

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A Pop of British Music

My music taste is varied and random. When I was younger, I both followed the trend and went my own way. I was a teenage girl who loved boy bands. But I wasn’t stuck in a pigeon hole. Mid-90s saw my later teenager years, a course at Art college and the arrival of “Britpop”, which drew me in with it grungy guitar rifts, addictive drum beats and poetic lyrics.

What is Britpop?

How do I define it? It was, no IS, a genre of music that epitimises “Britain”. British artists singing about relateable topics, usually over a guitar heavy back beat, often but not always, upbeat.

Think Blurs Parklife and Pulps Common People, and you’ll get my description. When Britpop went slow tempo and heartfelt, anthems were born. Wonderwall by Oasis and Chasing Rainbows by Shed Seven are classic examples.

Imagine my delight when tribute band “The Britpop Boys” announced a gig at my most local live music venue. No doubt about it, this was one night I would not be missing, as the promise of all the bands mentioned above and more, lured me through a week of work.

The last time I went to a gig here, I wore heeled boots and my feet did not thank me for it, but for a night of Britpop, I knew I’d be more comfortable in my trusty trainers, infact, it was probably expected. Dancing would be happening. No doubt about that.

I’d heard about this gig via Facebook, and for the purposes of mine and L’s music forum, I was interested how The Britpop Boys advertised gigs.

“We learnt a long time ago that we needed to be very active with advertising and not rely on venues. There are some good ones. But in our experience most aren’t! We have to be all over social platforms and we also run paid Facebook ads and produce all our own posters and marketing material. This is all part of what we offer for our cost and is often not seen by the public or the venues”. Good advice indeed. 

Supersonic by Oasis opened the night of musical delights, and the full venue were thrown back to the 90s. Although not a “tribute” act as such, in that these guys perform the songs of a genre rather than a specific artist, front man Ian took to the stage with the familiar swagger of Liam Gallagher, with his head tilted upwards towards the mic and hands held behind his back. They pay tribute to the era with accuracy. The setlist took us through The Manic Street Preachers, Pulp, Suede and so many more. I feared they’d raided my CD collection! 

A particular highlight of mine was their rendition of Going for Gold by my all time favourites Shed Seven. For me, Britpop music is intoxicating, and Shed Seven in particular have an ability to grab me by the earlobes with their guitar strings and whisper sweet nothings to transport me to a happy place. It would be hard to “copy” the vocal talents of Rick Witter, but you know what, The Britpop Boys didn’t let me down. Their cover was spot on, and evoked similar feel good vibes in me that the real deal have done when I’ve seen them live. My foot was tapping to the drum, my arms swaying to the tune and I was singing the oh-so familiar lyrics with affection and pride.

The rest of the first half reminded me of artists such as Babybird and Space, and then ended with a much appreciated shot of the Verve. How had I forgotten The Verve? Bittersweet Symphony, released in 1997, and the album it was taken from “Urban Hymns” was played on repeat in my yellow cd player I carried around with pride.  The day after the gig, I found the CD, dusted it off, and promptly transfered it onto my iPod. 

“Feel Good” was definitely the mood on the night, with the band and the crowd loving the music and the sense of togetherness that the love of music brings. The band themselves were clearly having fun. The Britpop Boys were brought to life in spring 2016, after two highly experienced musicians, Jon and Steve, met at a festival in 2015 and the idea was mused over. Adding drummer Russell to the mix made that idea a reality. Bookings and interest was already high for the band in their launch year, but adding keyboardist Jason and award winning vocalist Ian, the band were able to enjoy the success they have now and I can say it’s most deserved. 

The vibe on and off stage was amazing. Such a huge group of like minded, crazy individuals in one room. I asked Steve how aware the band are of what the crowd are doing and how they react?

“We are very aware and I think Ian has summed it up best:-
as a band we feed off the reaction of the crowd. I do tend to keep one eye firmly on the audience.  The more they are buzzing, the more we buzz, but on the flip side to that,the less reaction I get, the more I up my game to get them to the point where they have no choice but to join in the fun!
We have been know to flip songs in the set on the fly to change mood with the crowd if needed and we have a huge bank of songs to rely on”.

Regular packed out venues and festivals is what these guys now achieve, and they honestly deserve it. Asking the guys since about where they prefer to perform, I can see that every show they do is given the same energy and commitment, whether its a festival or smaller gig.

“Each have their own appeal, whether it’s the convenience of an organised festival or the buzz of a huge auditorium full of Britpop fans or being able to get amongst people in a smaller venue. We enjoy it all and treat every show as if we’re playing Wembley”.

The second half of hits kicked off with Waterfall by The Stone Roses, another tune long forgotten in my memory bank and grateful I’d been reminded of. From talking to band member Steve, this song proves one that the band collectively enjoy playing the most, although understandably, with such an awesome back catalogue to choose from, its difficult to choose just one song. More bands seeped out from the dusty compartment that kept teenage memories locked away, and were brought crashing back to the present day to be enjoyed by my 40 year old self, The Stereophonics, Supergrass and an uplifting rendition of Ready to Go by Republica, which got the crowd surging forward with enjoyment. 

During the gig, the band weren’t afraid to interact with the crowd, getting off stage and moving round the venue, and equally gave my photographer partner in crime L the night of her life with shot after shot to camera which enabled her to capture the night perfectly. 

The band cover so many bands from the Britpop era, I wondered which bands were the members personal favourites individually?

Jon – Ash

Russell – Blur and Stone Roses

Jason – Kula shaker

Ian – Oasis and ocean colour scene 

Steve- Blur and Shed Seven

Easy to see why performing came so easily to them. They LOVE the music. The setlist covered more bands than I had remembered, and I was curious how many more songs they knew, as with each reminder of a band from the Britpop era, came the reminder of their own back catalogues of songs. 

Do they ever add different songs to their shows?

“We generally have a good rotation of songs and if we return to a venue try to have between 7-8 different tracks. Obviously there is some massive anthems we just wouldn’t get away with leaving out and so they have to stay. But will move positions in the sets ”

As the gig was coming to a close, the crowd were up on shoulders, high fiving the band, belting out memorable anthems that we all held so close to our hearts. I had danced on my own, I danced with a random guy, I danced with a group of people and it was awesome. Parklife by Blur had everyone in the room up on their feet, which is where they needed to be for the finale. A British flag elegantly crowd surfed across the room…

Without question, the evening finished on the perfect song, “Don’t Look Back in Anger”. A song that has recently become even more iconic since its relevance to the Manchester disaster earlier this year, with a crowd of people singing it during a rememberence service, started by a lone woman. The song holds power, and a room full of strangers literally singing their hearts out to it held all the emotion expected. A lump in my throat and a tear in my eye. 

I have so much love for the Britpop era. It took me through college. It showed me a few dodgy fashion choices, but most of all, it gave me my way with words, my love of poetry and a soundtrack I’ll never stop listening to.

The Britpop Boys brought back so many memories. All of them good. Its impossible to look back in anger.

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Sweet Obsession O’ Mine

I’ve found the cure for insomnia.

After two nights of almost zero sleep, I dragged myself through a day at work fuelled by over priced coffee. A lot of it. It literally cost me a small fortune to get me and my overactive brain through 8½ hours of work. 

I did have a little motivation to keep me going.  That evening, a tribute band was playing at a local live music venue. Now, to cut a long story short,a few months ago, my friend L and I set up a Facebook group to advertise local and live music. Mainly inspired by the fact I can’t drive but I love live music, so I can only really get to local venues that my overworked feet can carry me to. Let’s be fair, apart from Olly Murs and Bryan Adams visiting our humble city this summer, Worcester doesn’t get to see the big names. So, we have to settle for the next best thing. Tribute acts. Now I’m well aware these are like Marmite. Love them or hate them. No in between. Personally, I admire them. I’m definitely team “love”.

So, from running our little group, I kept seeing the event for Saturday 7th October being promoted. I’d clicked “interested”, but deep down I wanted to go. Nope , needed to go. Because you see, scratch through the indie/pop exterior, right through the visible layers of my musical tastes, and you’ll find a secret rocker. The lure of seeing “Guns or Roses” at a venue less than 20 minutes walk from my home was overpowering. My body was screaming “girl, you are shattered! There’s no way you can go”, yet my mind was taking me to the pre order ticket page and clicking confirm. I bloody love Guns n Roses. I could not miss a whole gig of their music because I was “tired”. Christ, I’m 40, not 70.

My friend L had already confirmed her ticket order when I messaged her to say I was going. We got to the venue about an hour before the band hit the stage. The seats had all already been taken so the pair of us, already dead on our feet, had to stand. The dancefloor area seemed pretty empty though and I remember thinking it was such a shame. My concerns were short lived however, as, as soon as the opening strains of the first song began,and the screen started to rise to reveal the band, the space in front of us filled up out of nowhere. I instantly knew, this band must be good. L and I had already spoken to a few people who had never been to the venue before. They were either local huge Guns n Roses fans who love the music and had only come here for the first time to see them, or they were fans of these guys, Guns or Roses, and would travel to see them. A tribute band who has their own following has gained that for a reason. 

The music instantly woke me, and when “Axl” started to sing, oh my! It really is hard to imagine that anyone other than Axl himself could reach the notes this guy was hitting. To me, a secret fan, he sounded like the real deal. He looked like the young Axl too. Mannerisms, “costume” , everything. Several songs in, singing along loudly and out of tune and not caring as L whizzed around with her camera capturing the action, I vowed to find out more about the band themselves. Some people end up in tribute bands purely because they sound a bit like someone, or maybe even look a little like someone. The accuracy of these guys told me there was more to it than that. As “Welcome to the Jungle” created a buzz and a frenzy on the dancefloor, I could tell the crowd was loving it. 

So, who are Guns or Roses? I’ve since asked them.

Guns Or Roses are Martin Colley on lead vocals, John Sumbler on lead guitar, Dermo Rose Sheen on bass guitar, Padraig Tansey on drums, Marcus Huyton on rhythm guitar and for certain gigs, Shawn Charvette on keyboards.  Formed back in 2009 by John, the band has been through a few line-up changes, but are now stronger and more successful than ever.  John and Padraig have both been in the band from day one, joined soon afterwards by Martin and then Dermo, with Marcus and Shawn being the newest members.  All the guys are experienced players, love the music of Guns N’ Roses and are huge music fans in general.  John formed Guns Or Roses after becoming inspired by watching other Guns N’ Roses tribute bands, and of course being influenced by Slash’s guitar playing and the awesome live shows of Guns N’ Roses.  Almost nine years on, and the band have gone from playing bars and pubs to performing in front of thousands of people throughout Europe.”

I shamelessly knew every song, and each member of the band had chance to shine as the epic Guns N Roses songs showcase the individual musicians talents. There’s no room for error. I noticed “Slash” taking a very “Slash style” stance front and centre in guitar solo sections. “Axl” did a recognisable side to side head and shoulder sway during the slower songs. Visually, I was convinced too, the white leather jacket, the kilt, it was all there. So, what lengths do they go to to perfect the authenticity of the act?

MARTIN: I emulate Axl the best I can by wearing costumes as near to the originals as possible, especially the t-shirts and wearing bandanas and aviator shades, not forgetting the kilt and the lycra shorts. My hair is real and I straighten it before every gig so as to look as genuine as possible, nothing worse than dodgy looking wigs!

JOHN: We try and source fairly authentic costumes but some of it has to be custom made like my top hat or the Pepe le Pew t-shirt. I’ve also managed over the years to put together the same basic guitar rig as Slash uses/has used live. I’ve got a 2008 signature Les Paul, his signature wah pedal and most recently I invested in the Slash Marshall AFD100 amp. I do rely on one of those dodgy looking wigs though haha.”

As the set went on, the tunes got bigger, the crowd got livelier but the energy onstage never dropped. It was full on from start to finish. There was no lull. Not one song where I felt the need to get a drink to keep me going. L was in her eliment taking photos in what she described as the best lighting conditions she’d seen at the venue for a while. I was getting pushed, and knocked over, and my foot was pierced by a stiletto more than once but, did I care? Hell no! For a small venue, it was certainly a big atmosphere. The people here loved the music of Guns N Roses, and that is why I admire tribute bands so much. The pressure must be immense. You know you’re going on stage to perform songs that the waiting crowd already know and love. People are passionate about their favourite songs and are quick to slate bad “covers”, so to advertise yourself as a tribute band,the crowd expect more than just a cover. They expect an accuarte rendition. How does the band feel about this, especially when bringing the show to a new venue?

“There’s always pressure whether it’s a new venue or a regular one. We try and recreate the sound, look and feel of GnR the best we can but we always have fun doing it and hopefully that transfers to the audience and gives them a better experience.”

Well, I was certainly enjoying the experience. Sweet Child O’ Mine is definitely one of my favourites and I had no shame singing along loudly with the rest of the Guns Or Roses family that had crowded around me. I could feel that the band themselves loved performing these songs, I wondered if they each had personal favourites?

“PADRAIG: Rocket Queen, it’s got a great groove that I love to get into.

JOHN: I’ve got a lot of favourites for different reasons. But if I had to pick one, I guess it’d probably be Nightrain, it’s just really easy to rock out hard to that one.

MARTIN: My favourite song is probably Coma but it’s a killer to sing, I’d probably say Welcome to the Jungle is my favourite to perform.”

Since setting up our Facebook group, L and I often wonder how much advertising goes into a gig, and who does it, the venue or the artist?

We try and do what we can via Facebook etc and we provide posters to the venues and promoters. The venues usually do lots of their own promotion.”

I’d seen the gig advertised on the venues Facebook page,and we shared it several times on our group. We’re determined to get people out supporting their local venues before they close down. I for one, am glad I dragged my tired backside out that evening. A night of live music, especially music you love with a passion, is invigorating. I had so much fun. Seriously, these guys rocked! Pun intended. It crossed my mind that rehearsals must be a blast with this lot, they genuinely looked like they had fun onstage…..

“What’s a rehearsal? Haha. We rehearsed for about 6 months before we started but now we play pretty much every weekend so we don’t really need to. We can usually refresh songs we haven’t done for a while in soundchecks”

I was genuinely pleased to hear they seem to have the success and popularity they deserve. 

The finale encore was inevitable. Paradise City. As I raised my arm to capture a snippet of video on my camera, the crowd surged forward, I had to grip onto it to capture some shaky footage. I got the feeling as the song went on, the excitement would rise and I wasn’t wrong. And I loved it! I kept catching L’s eye as she clutched her camera for dear life and snapped shot after shot of the visually exciting show in front of us. We marveled at the two past middle aged head bangers, one bold, and one with a rockers long mane of hair, having a head banging battle, which the bold one surprisingly won. It was a brilliant evening that fuelled my existing obsession with Guns N Roses. Are they coming back to Worcester…..are they, are they?

We always love playing Worcester and we always get a great audience! We’re back at the Marrs Bar on Saturday 14th April”

*Cue very happy dance 😉

So, my cure for insomnia? Don’t even bother going to sleep. Instead, go to a gig where you sing yourself hoarse, and the music is so loud your ears are buzzing and go home so happy that sleep is no longer even on your radar! Trust me, it works!

Photographs courtesy of the amazing Lissywitch:-


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