Another night, another collection of new music to my ears, this time in the form of the triple delight of Slow Tapes, The Hipflask Virgins and The Foreign Quarter at the Marrs Bar.
Slow Tapes took to the stage first, a four band man presenting us with a trio of guitars and a drum kit, describing their music as sounds from a decade that never existed. An energetic intro set the pace for the six song set, leading us into the first song full of catchy hooks. As they went into the last third of the song, they ramped up the gears a notch and powered through vocally and musically to a crashing end. Second song “Left Side” started off slower than the first but gave the singer a chance to show off impressive snarly vocals. Roaring layered melodies again led us to a high energy ending. Beautiful lyrics asking is the grass always greener and is the love always deeper resonated with me.
Third was a jollier upbeat tune, reminding me of the songs “On Top of the World” and “Radioactive” by Imagine Dragons in the way that they are so completely different to each other yet the artist makes them somehow be recognisable as their own work. Versatile in their musical genres, these guys continued to prove they are masters of building up a song in the last 3rd of the song. The next song contained an epic run after the choruses , winding down into a spicy funk groove. The final two songs appeared to stitch together seemlessly, a slow intro long forgotten by the time the driving finale happened. With the claim that everything will be alright now ringing through over and over, it was an impressive end for a band who, as it was revealed later in the evening, were performing for only the third time!
Second on stage were groovy two piece “riff-rock” band The Hipflask Virgins, one on guitar, one on drums, vocals are provided by both members. Influences of The Foo Fighters is clear to hear in the opening track, and throughout the set, as well as vibes of The White Stripes and a touch of Nirvana. Lead vocalist, who sang mostly through a mop of long rocker hair, was deceivingly good at screaming guttural vocals. By the third song, I was really starting to get into the set, as a tap of the drumsticks took that particular song up a notch and the sounds produced by the duo made it sound like a full band on stage.
Towards the end of their set, the guys played a song they’d never before performed on stage. If any errors were made, I didn’t hear them- a sign of very focused musicians intent on delivering crowd pleasing stage shows. Each song of what I noted to be a 9 long set list would’ve been radio worthy and instantly recognisable, with a healthy dose of growling vocals and hair flinging added to the mix. Gritty, grunge rock songs at their best, enormous talent oozing effortlessly out in to the audience, the band seemed to already have a well deserved following locally.
The Foreign Quarter closed the evenings entertainment with an offering of around ten songs. Describing themselves as All Thrills and No Bull, they thrive on writing and performing original, heavy and melodic rock to anyone who wants to listen. The four piece band did not fail to deliver from the moment they took to the stage. Lead vocalist on rhythm guitar was accompanied by a lead guitarist, a bass player and a drummer, and collectively the band looked like a professional band about to serve up stadium worthy performances. After a high impact opener, we were taken into a song I believed to be called Into The Fire. Delicate cymbal brushes and drum taps led into all three guitars bursting into a choir of goodness. The guys treated us to their debut single before bringing it down a little for the vocal ability of the singer to be highlighted for a love song offering up his one last breath. The fast guitar riff belies the slower pace of the tune. Each song was a guitar lovers dream, as the three cleverly pieced together separate elements to create one song, with the skilled drummer beating the ingredients together and keeping them all mixed tightly as one. Visually on stage the guys also moved and worked as one complete unit.
Nights like these make me glad I leave the house and discover new music. If you get chance to see any of these three bands, do it, you’ll find a genre even you didn’t know you loved.
What do you get if you combine Independent Venue Week with Uncovers 2nd birthday celebrations? An eccentric, unique evening of live music at The Marrs Bar, that’s what! Four completely different acts performed on the evening of Sunday 3rd February, collectively delivering eye catching, ear pleasing entertainment.
Kicking off the evening was local Alt Rock trio, Hey Jester. Three young, stripey topped lads took to the stage and delivered a set of original material, with a hard hitting, punching beat, reminiscent of The Darkness. Each song as energetic as the last. Third on their set list was a self titled song which gave each of the three members a chance to shine with impressive vocals, twanky guitar plucking and a catchy drum beat. The fourth track was a creative musical experience, fast guitar with slower vocals, with several epic pace increases, which slowed down occasionally to be in time with the singer. Not every band can pull off songs that seemingly have each member playing at a different pace, but these guys were amazing, and I’m sure this will become a recognisable signature sound for them. Showing that youth has a place on stage alongside seasoned professionals,, the set was ended with a comedic “dab” from the singer, and a smiling drummer throughout the set, making it hard for anyone watching not to be enchanted by this promising band. A brilliant start to what was heading to be a great night.
Next up were White Noise Cinema. These guys always deliver, and always amaze me with the sheer amount of musical equipment they have on stage. After a tribal drumming intro, the bands goes into a song perhaps called More Than Us. A tambourine, keyboards, drums, powerful vocals, this is a musical experience like no other. Each of the five songs they performed defied understanding of what you thought was possible from a band in a small local venue. These guys are stadium worthy performers, and extremely deserving of their air play on local BBC stations with their final song, their first single, Unpersons. Having seen them perform once before, I was excited to see and hear them again, with so much going on up on the stage, it’s impossible not to get sucked into the hypnotising melodies they produce through percussion instruments alongside the staple band instruments and cleverly backed up with amazing sound technology. White Noise Cinema, yet again I salute you, You are awesome.
Third on the line up was a band I’d heard a lot about yet not seen, LegPuppy. The stage lights dimmed, the music started, a haunting melody, as a male and female vocalist donned light up clown masks. Eerie yet intriguing. The set brought us a cacophony of punk, electro, mixed genre of delight with hard hitting yet tongue in cheek tracks about social issues that each and every one of us can relate to. First up, “Selfie Stick- Narcissistic Prick” cleverly took jibes at the generation of people who upload 25 photos a day of themselves, adamant to conform to society and make themselves look slim and good looking. Following on from that was Nominate, again aimed mainly at social media, the ridiculous notion that we nominate each other to take part in silly online challenges. The third song, a released single by the band, was called “She’s lost her soul” and focuses on live music venues, how they need to be used before they close down. Each song is performed over punchy, disjointed music, every sound audible in its own melodic way, yet cleverly stitched together to make the unique LegPuppy style, with an element of fun, but with a big dose of “F@#k you” to society and its followers. Other delights we heard were a song about spreadsheets and powerpoint presentations, the daily slog of office work, with an after hours boost called “Meds & Beer” and “Pay check” highlighting the perils of online gambling, before the crowd was encouraged to get their phones out for “Twit Machine”. The guys onstage interacted with each other and the crowd alike, with the male singer jumping off stage to dance amongst the crowd at one point, with a ceremonial smashing of a selfie stick, and female singer known as “Booby” was rarely seen without her phone, taking Selfies and crowd shots with a Selfie Stick, as an ironic nod to the topics covered in their catchy tunes. Frantic drum machine beats, guttural keyboards and innovative lyrics made this a thoroughly weird and wonderful set.
Headline act of the night was The Pink Diamond Revue. A three piece band fronted by a genuine mannequin, Acid Dol – “a model from another dimension”. The human members of the band were in the form of a visually eccentric guitarist and a drummer who literally took a back seat at the back of the stage. The guitarist stole the show, in his gold suit, gold eye shadow and gold guitar strap- you’d be forgiven for thinking a Bowie tribute was about to perform- relentlessly strummed from one song to the next, teasing the mannequin with the end of his guitar front and centre of the stage. The mannequin, diva-esque with her presence, changed head gear throughout the set, and at one point was joined by Booby from Legpuppy for an intimate dance. Something that has to be seen to be believed, a little delving on Youtube will deliver the evidence. A musical Electro/ Dance/ Psych journey with vocal samples and powerful guitar riffs delivered over hypnotic drum beats produced a fitting end to the most eclectic Uncover night I’ve attended to date.
Sunday 18th November brought three stars of the 90s Britpop and indie era to the Marrs Bar for a night of music hosted by Mark Hogan of SLAP magazine.
Opening the evening was Nigel Clark, front man of band Dodgy, a relatively local gig for the former chart icon,who has continued to perform as an established solo artist.
Entertaining us with a set of 15 songs that spanned his own musical career of the bands songs and solo material, with a couple of covers thrown in for good measure, the night was off to a brilliant start. Nigel took us on historical, lyrical tour. “So Let Me Go Far” from the 1994 Homegrown album was first up, easing the gathered crowd into an evening of nostalgic, melodic memories. “What are we fighting for”, a tune from 2016 still held all the charm of the early Dodgy songs we know and love. Nigels vocals throughout his set came across with rustic and husky tones, showing an evolution of talent from years of performing. At ease with a guitar, Nigel drew interaction from the crowd involving us in a sing song about Willie Nelson and Snoop Dogg. A more delicate performance with “Only a heartbeat” led into a cover of a song by The Jam- In the City, which drew an exclamation of “Amazing” from the person stood behind me. Encouraging the crowd to move forward by joking it was in case of a fire, the dance floor in front of the stage filled up. “Staying out for the Summer” was an inevitable inclusion on the set list and got everyone on their feet and singing along. A Tom Wade cover and a funky song with a hip hop backing track took us up to the set finale of top ten hit “Good Enough” which was warmly received and sang along to, until the tempo was changed up and the crowds vocal performance was compared to a Christmas Carol service as Nigel let us sing out the chorus without him. A true entertainer with a warm personality, Nigels set was a winner.
Next on the set list, and describing himself as the meat in a Britpop sandwich that night, was Mark Morriss,lead singer and song writer in The Bluetones. Opening his set with a solo song, “Low Company”, Mark seduced us with his silky vocals. proving that the indie years certainly did produce some extremely talented vocalists. In between songs, Mark also proved to be quite the comedian, with witty comments about the sales of The Bluetones songs he’d thrown into his set. First of those was Never Going Nowhere which he jested was a hit record 15 years ago, reaching number 40! Following a couple more songs, and a broken guitar string, Mark had to switch to Nigels guitar to complete his set , which become a running joke throughout the evening. True professional, he’d carried on through Cut Some Rug and proved he wasn’t one to take himself too seriously which made him a huge hit with the crowd, especially with the references to his questionable moustache! His performance of “Bluetonic” was a highlight of mine that evening, a favourite song of mine, and the audience were singing along the melody behind the chorus which was wonderful to hear, a song that has stood the test of time and remained firmly etched on the hearts of the fans in the room. We were teased with Slight Return, arguably the most famous song by the band, before Mark went into an hilarious version of “Stay Another Day” by East 17 which told the tale of the comical demise of Brian Harvey and Daniella Westbrook. Mark ended his 10 track set with “If” , another one that seemed to still be enjoyed as much as when our younger ears first heard it back in the 90s. Marks music is story telling with hints of sarcasm and irony, songs that resonated in my teenage years, but have stuck with me into my adult years as each song takes on a new meaning with lifes experiences.
Mark introduced the nights final artist, Chris Helme of The Seahorses, saying he had the whole Poldark thing going on with the dark flowing hair.
The Seahorses, for me, were one of the Britpop/indie revolutions most underrated bands. With only one album, Do It Yourself, in their discography, dating back to 1997, I feel they didn’t have the chance to shine as much as they deserved to. However, with singer Chris now carrying the torch for the band with a series of triple header tour dates with Nigel and Mark, I’ve had the chance to fall in love with the music all over again. Opening with “Hello”, Chris delivered 12 lyrically beautiful songs to tie the evening up wonderfully. A cover of “Ooh La La” by The Faces, sat perfectly amongst the songs we were being treated to, and “Boy in the Picture” was adored by the enthralled audience. The vocals we were hearing were warm and familiar, hardly varying from the original tracks from back in the day. Chris mentioned Paul Weller as a musical influence and this was clear to hear in “Moving On” which reminded me heavily of “Wild Wood”. “Love is the Law” and “Blinded by the Sun” encouraged energetic singing from all in the venue before Chris ended with a solo jamming session which had us all joining in with “Eye of the Tiger” amongst other jems he threw in.
All three performers thoroughly entertained the Sunday crowd with music and comedy , more than we bargained for , but greatly appreciated and received. The three sets complimented each other, and one sat along side the next comfortably, offering a magical trio of musical pleasures.
New month and a new band for me to review.
I’d heard a lot about The Faux Fighters. I was all set to see them last time they visited Worcester, but I wasn’t well and couldn’t make it. From what I heard after, I’d missed out. I wasn’t about to let that happen again.
This time, the band had support from local band Altered Voltage. Singer Tash, who I’ve written about before, opened the evening with three solo songs, serenading the growing crowd as the doors opened. As before, when I saw her provide support for U2Baby, Tash mesmorised everyone with her dulcet tones, again stunning everyone during her performance of Wicked Games.
She was joined on stage by her Altered Voltage band mates to perform an eclectic set of 8 songs. Being in a group transforms Tash, from being the simplistic guitar strumming songbird, into a crazy little rocker, and the foursome gel wonderfully onstage together. The songs chosen were perfect to show case the bands collective skills and knowledge of music, choosing perhaps lesser known tunes and turning them into their own. For such a young band, they had a captive audience, everyone I heard talking about them was lavashing deserved praise
. The band attracted at least two people to the dancefloor from the opening song, Wolves of Winter by Biffy Clyro, and there they stayed for the whole set. I’ve heard that Swim Down by Moose Blood is a band favourite to perform and it showed, the energy from all four members was insane and it was impossible not to fall in love with everything this band has to offer. Every time I see them perform, they have grown, evolved. And it’s exciting.
“I bet you look good on the Dancefloor” was arguably the song that ramped up the mood in the venue, calling for frantic dance moves from the crowd and onstage.
A dedication from the singer to her Dad led us into popular choice, No-one Knows by Queens of the Stone Age, before the set was concluded with Lights Out by Royal Blood,a song which has previously, aptly, caused stage malfunctions when performed by the band, inspiring their name. The only sparks that flew this time though, came from the group themselves, proving they were very worthy candidates to warm up the waiting crowd.
Since delving into this writing malarkey, I’ve found myself in a position where I’m reviewing music I’m not familiar with. Original artists are great, as their music is previously unheard by most of the people in the venue. When you’re reviewing a tribute band however, the opposite is true. Facing the mighty Faux Fighters, I felt I was wet behind the ears, a little like an outsider, if I’m honest, and the pressure to “get it right” was immense. The venue had filled with people who would know The Foo Fighters inside out, and apart from maybe two songs, I knew NOTHING!
I knew what the band looked like, I knew who the lead singer was, but I’d never watched any of their live performances, although I had caught a song they performed at The Brits this year. Their music had passed me by. Was I finally out of my depth with this one? Would I have to admit defeat? Armed with notebook,pen and a whole heap of determination, I waited.
As the screen lifted and the intro led into the opening song “No way back”, the first thing to hit me was the singers striking resemblance to Dave Grohl. Staggering infact. The two “dancers” had stayed front and centre and were joined by a friend, a small crowd forming as the band threw their energy off the stage and into the venue. No pause for breath between one song into the next, “I’ll stick around” enticed more people onto the dance floor, filling it up in front of us so we had no choice but to stand. “Up in Arms” and “My Hero” , which incidentally was the first song I recognised, followed. The music was loud, and polished. These guys were clearly professionals at what they were delivering.
The fifth song of the first set served up a little surprise. Tash from Altered Voltage and Maddie from another local band, Nexus, joined the band onstage to provide harmonic backing vocals for Sky is a Neighbourhood, the song I remembered was performed on the Brits earlier this year. The song has the perfect alt-rock pulse to suit the trio of singers now onstage and it’s fair to say this moment was certainly one that would be talked about after the show.
The groovy beat and winding guitars in Generator headed up another run of crowd pleasing favourites. The songs were delivered with so much passion, I had to wonder how I’d gotten through life without ever hearing them before. It certainly was the kind of music I like, and the Faux Fighters were expertly serving me each song in perfectly digestible ear splitting, throat tearing morsels of awesomeness. As the first set came to end with “Stacked Actors”, the venue was fit to burst, as more people joined the Faux party, long since ditching a Peaky Blinders event that had happened earlier that evening, to join us while dressed in their finest outfits.
As I’ve admitted to not knowing much about the Foo Fighters, I took the opportunity to talk to the people around me who clearly did. The best testament a tribute act can get is that of a die hard fan of the original band. One guy I chatted to had seen the Foos several times live, each ticket costing him an arm and a leg, but in his opinion, worth every penny. He did however then say, “but for a tenner I’ve seen these guys, the music is just as good, he bloody looks like Dave, it might as well be the real thing”. Out of the mouths of fans.
The band came roaring back onto stage and into the limelight with the power of wild lion. “Rope” opened the set, then into “Breakout” which , from assessing the adoring crowd, was a winner with the fans. By this point , the guy behind me had noticed me frantically taking notes, desperate to capture the atmosphere I was feeling there and then, and decided to take it upon himself to remind me to add “potatoes” to my shopping list, a joke that became a running theme throughout the rest of the evening. “Learn to Fly” was jam packed full of rip roaring riffs, causing the swaying crowd to sing, dance, jump and bounce in unison. Blokes hugging, songs have meanings to people, and if a tribute act can successfully convey the same meaning to a person as the original artist, then that’s proof indeed that they must be doing something right.
The guys took the opportunity inbetween songs to do a few birthday wishes to crowd members before going into “For all the cows” , prompting the guy behind me to tell me to add milk to my now hypothetical comedic shopping list. Two more songs ran into a wind down “Wheels” and I really studied what was going on around me and on stage. The crowd was literally buzzing, as if the ground beneath them was electrified, making them jump around uncontrollably. They were loving it. The band members looked professional, they looked as though they were performing to thousands, not hundreds, they looked like the real deal to my eyes, my eyes that would only recognise Dave Grohl on a Foo Fighters poster. I guess what I’m trying to say is that they looked like they belonged up there on that stage. As far as I was concerned, they might as well of been the real deal. Not knowing enough of their music before hand to make a comparison, I could only go on my feeling on the night itself. It was a good feeling. Not one person remained seated. All eyes and ears were on the band. If anyone left early, I sure as hell didn’t notice. All I saw were more and more people squeeze onto the dancefloor as each drum bashing, guitar screeching, vocal powered song went by.
They have the ability to turn a small dance floor into a heaving mosh pit. That’s admirable!
After All My Life and Arlandria, thanks was given to my partner in crime Sarah, for taking the photos. Sarah is one of those die hard, life long fans of The Foo Fighters, and having heard her talk about these guys before, I knew I’d be in for a treat.
By the time they reached “Best of you”, I was a mental, hot and sweaty mess. I got adopted by the guys that had been around us all evening and whisked into the middle of the dance floor in a long line of bouncing bodies and intertwined arms. The songs outtro lasted an eternity, with strains of “woah ooh-oh” from the crowd continuing long after the song had finished, reaching its climax with a Mexican wave of adoring arms showing how much the music was being appreciated. If that had been the last song of the set, I have a feeling we would still be there now. I have only ever experienced that kind of reaction to one song before, and that is when Shed Seven finished a live gig with “Chasing Rainbows” , and the chorus continues long after the band has milked the adoration, left the stage and the crowd is back out in the street heading home . It’s epic. It’s belonging. It’s what music does. It’s what good bands evoke.
“Pretender” took the already manic crowd to a whole other level, before more screaming vocals on Run led into Monkey Wrench and then the finale song “Everlong” leaving the crowd wanting more. But there was no more to give. The guys had put everything they’d got into that performance, leaving it lingering within everyone that was there to witness a tour worthy show.
My words can only say so much about a performance like this. My words are no substitute to actually being there. The photos can capture a small snap shot of the evening, but you have to be there to feel the heat, and the passion from the band and it’s fans.
To The Faux Fighters themselves, well done and thank you. You were kinda epic!
Follow the band:-
Friday 17th August
Uncover presents Heinz-sight, White Noise Cinema, Sam Hollis and friends, and Skewwhiff.
First up on the night was solo artist Heinz-sight. Having seen him ordering a drink at the bar before his set, I could sense nerves from this guy as he took to the stage, with spot light and all eyes firmly on him. Even seasoned professional performers get nerves, and to me, this shows a sign of true passion for spilling their thoughts out to strangers from a stage, with nowhere to run and hide. Opening track “Needle in a haystack” was a jolly little tune, with an infectious hook that drew you in , and original lines such as ” Bet your lips taste so sweet, a thousand different flavours of Rowntrees. I know that line, is pure cheese, but sometimes cheese is just what the world needs ” put a smile on my face and of those around me. “Music Man” was next up, with a military march drum beat behind the first chorus, the artist showed a mix of genres and lyrically it felt like we were being shown the pages of his diary. Clearly, I think, autobiographical words made into a mix tape of sounds during his set list. A selection of songs from previous EPs and his current one “Indie-sctructable” . Music Man was definitely a toe tapper, with empowering words- “so many people trying to get you down, the trick is not to show your frown”.
More tracks “Indie-vidual” , “Sulk” (which was a recognisable tantrum turned into a song, awesome!) and “Ghost”- written about an ex , reinforced my suspicions that the words we were hearing were personal and somewhat private, but he had a story to tell and he wanted to tell it!
“Give it” was the sets closing song, with its electro pop back track , it’s clever lyrics told of modern image, how social media plays a part, and the set was concluded with a little speech about body image, and how we should all be who we are without bowing to the pressure of social medias unrealistic expectations.
Next up were White Noise Cinema, a 6 piece band with so much equipment on stage it was unbelievable. I’m not technical with instruments but to the untrained eye, there were drums, 2 guitars, 3 keyboardy “things” , one with a set of side drums. I didn’t know where to look! Now I’ll admit to not catching the titles of some songs so, writers privileges taken to describe them! The opening song, perhaps “More than us”, had me intrigued from the get go. Every instrument played a major role in creating an epic sound blasting throughout the venue. The band members themselves, like the collection of instruments, were varied, from the topless drummer, to the unassuming singer with a surprisingly powerful voice, the mix worked. The second song, introduced more musical delights, introducing tambourine and megaphone to the cacophony of delights, intertwined with the epic guitar riffs we were hearing.
The third song was a little softer, perhaps entitled Ghosts, the singer also picked up a guitar,I’m sure I spotted a maraca, and I was feeling Maroon 5 vibes, although the guitarist on the left hand side of the stage would be suited to a Muse tribute band, my eyes and ears were often drawn to him. The fourth song we heard is ear marked to be released later in the year as a single, and again took my mind to Muse, this time the song “Madness” was emulated in my head . It’s guttural beat winds right down Nirvana style before surging back up with a vengeance.
A song about mental illness, Thin Skin perhaps, ended the set with floor thumping power. The creativity from this band is something I’ve never seen before and I’m excited to follow their career from now on. I was accompanied by two critical teens on this occasion , and both of them loved White Noise Cinema, praise indeed!
Third up on the stage was singer /songwriter Sam Hollis and friends. A quirky bunch of 5 guys with three guitars, a keyboard and drums between them, and with a set list of 7 equally quirky songs. We were treated to a little “uni lads vibe”. Singer Sam was heavily reminiscent, in the way he dresses and moved on stage, to Jarvis Cocker, a little eccentric compared to one of his band mates who looked like he’d just got out of bed! This isn’t a bad thing, oh no, it added to the feel of the set and made for interesting viewing. The songs again were written from experience, relationships being an obvious choice, although guitar heavy Deep Again seemed to focus on a best friends betrayal. “Love Dreams” was my favourite song of their set, full of attitude and smoky bar sass. Collectively these guys are very competent musicians producing musically unique songs they can be proud of. They seem to focus on the band’s sound as a whole without the need for too many instrumental solos, although Ciaran on keyboard (who I’ve reviewed before as a solo artist under his stage name “Keys”) got a little mention and a nod to his skills in the 6th song. Closing song 21st Century saw the bed head guitarist sit on the floor, following a quirky little back to the audience dance move. Groovy numbers from these likeable lads with a lot to offer. Definitely ones to watch.
Headline act Skewwhiff have also had the pleasure of being reviewed by me before so I’m not needing to do an in-depth report of this gig, although, it’s fair to say, each time I see this foursome, I love them a little bit more each time.
This band, who musically refuse to sit in just the one genre box, and are loved and supported locally, deserve to have huge success. Festival favourites across the country, the music is infectious and relatable. Their set of 13 songs should be an album, as each song seamlessly links to another creating a radio ready play list for anyone seeking feel good music to sing and dance to. Not that any of us can keep up with the vocal talents of lead singer Beanie, aka Hannah. Third song on the set “Gizmo”, shows how this talented lady can lend her delicate vocals to all kinds of music styles, ska, punk, and yes, she can even rap. Each band member, with Beanie on vocals, Hogey on guitar, Sammy on bass and Glazz on drums, is professional on stage and their hard work and commitment to their own songs is clear to hear. By the fourth song, Sam Hollis and friends took to the dance floor and entertained us with their moves as one hit after another kept the good times flowing. It is impossible not to boogie either on the dance floor or in your seat to these guys, their catchy numbers flow into you, hooking their little sound waves into your nerves and muscles and make you move to the music.
As a proud owner of Skewwhiffs long player CD “Nice Little Upper”, I’ve loved tracks such as Startrite, and Skidaddle, for a long time, since it’s release in 2014 infact, a firm favourite being “Its Obvious” , a song about the paradise of equality in a relationship, the beauty of being equal but different. However I’m always looking for new music and I’m hoping there’s a new release on the horizon featuring tracks such as the cheeky “Doll Parts” and the encore “Hey Mister”. If you’ve never seen these guys live before, you need to. Their style cannot be pin pointed so appeal to such a wide audience! You’ll want to be at the front of the crowd, but you’ll have to push past me to get there!
Saturday 4th August, a pub I was familiar with as a child due to being just round the corner from where we lived, The Virgin Tavern, opened its doors to a Worcestershire based, 5 piece classic rock covers band, Recovered.
With my 6ft teenager in tow, I was a little out of my comfort zone, not knowing what to expect, not having seen these guys before. It’s also been a while since I’ve seen live music anywhere other than The Marrs Bar, so my expectations were, perhaps unreasonably, set high.
Sure, there was no stage. The guys had set up in an area of the pub that would more than likely usually host extra tables and chairs. However, the equipment was extensive, with lighting too, and the set up and space was more than adequate.
The first set opened with an impressive teaser of music instantly recognisable as the “theme” from Pirates of the Caribbean. The teen and I were impressed. A smile on our faces before they’d even begun.
The first song was an all time favourite mine, Summer of 69 , belted out by Jamie, also on guitar. Vocal duties were handed over to Shaun for “Really Got Me” by The Kinks.. Third song on the set list was a brave choice for a band of deep voiced guys, but I surprisingly enjoyed the low range offered by Shaun as he sang Zombie, famously sung by the late Dolores O’Riordan in The Cranberries. The accompanying music held the intensity of the original song, showcasing the talent of the youngest guitar player, Jake? The crashing cymbals towards the end of the song vibrated round the pub, and from there I felt the night picked up momentum.
Songs by Pink Floyd, Thin Lizzy, Steppenwolf and The Troggs were more of what was expected, before Sweet Caroline by Neil Diamond pushed the boundaries of rock covers but most definitely got the room up on their feet dancing.
“Teenage Kicks”, “My Sharona” and “Proud Mary” kept the spirits up in the room, all delivered to us by Shauns vocals. Jamie took the lead again for “Somebody” by Bryan Adams, before handing back to Shaun for one of my most played songs by The Beatles, “Come Together”. Weird and wacky lyrics with a sultry psychedelic backing track which was expertly delivered by the Recovered guys.
After a brief introduction of the band, the set wound down for the next track, as Shaun dedicated a beautiful rendition of Chasing Cars to a gone but not forgotten friend. Although not attempting the higher range reached by Snow Patrol frontman Gary, Shauns baritone-bass vocal suited the song perfectly. A lovely performance making a fitting tribute.
The rock covers came crashing back to finish the set with songs by Free, Black Sabbath and Metallica before the break.
Time was ticking on by now, and the teen was itching to get back to his PlayStation, but by this point, I’d managed to get my cider covered hands on a set list, and I could see what was to come. A little bribery followed, and we were settled for the night. #mumwins
The second set opened with a song which, if you’ve read any of my previous blogs, you will know that I make no secret of loving. Sweet Child O’Mine by Guns N Roses (not such a secret Guns N Roses fan anymore, I embrace the inner rock chick). The “dance floor” by this point, was in full swing…where else but a pub in Worcester would you see ladies trying to perfect the new dance craze of Flossing to Guns N Roses? After a little persuasion, the teen helped out with the dance moves and it was clear everyone was having a brilliant time! An ACDC track led into a song I’d not heard for ages, “Inside” by Stiltskin, and from the set list infront of me, I could see it would be a set of same, songs I’d once loved but had since forgotten. Songs uncovered. Songs rediscovered. Songs Recovered. (See what I did there?)
After Black Keys “Gold on the ceiling” , a song I didn’t know but everyone else seemed to, we were treated to a second rendition of Zombie, this time performed by a girl called Lauren. She looked the part and definitely sounded the part , she was infact, awesome! After Status Quo (complete with shoulder dips), Jeff Beck and Free, the set list reached the point I’d been counting down to:-
Blink 182 – All The Small Things ✔
Oasis- Roll With It ✔
Kings of Leon – Sex on Fire ✔
The Fratellis – Chelsea Dagger ✔
Stereophonics – Dakota ✔
Feeder- Buck Rodgers.✔
Boom, my years straight after college came rushing back to me!
Tom Jones’ It’s not unusual took us into an Elvis song performed by band member Nick. With Elvis wig and glasses in place, we were treated to a rendition of Suspicious Minds before final song 500 miles by The Proclaimers saw the crowd lead a conga style dance all around the pub.
With a little encouragement from what I assumed to be family and friends, the band did one more song, Run, another Snow Patrol classic which actually suits Shauns deep vocal range.
The two sets were fast tempo and heavy, and packed full of classic tune after classic tune, each delivered with fun and passion for the music they perform, a love of music clear to see, by a bunch of blokes having fun with what they do. The audience was entertained, a good night was no doubt had by all. I know these guys have performed here before and they are quite rightly loved and respected when they play.
I went with no preconceived ideas of what to expect. I left with a smile on my face and reminders of long lost songs that needed to be added back into my playlists!
A trio of musical talent converged on The Marrs Bar for another evening of entertainment.
Kicking off the evening was Ewan Pollock. A young artist from Scotland who has been on my radar for a couple of years. I first saw him at The Old Pheasant, but more recently I’ve caught snippets as I pass him while on my lunch break as he busks on the streets of Worcester. Ewans voice is a deep and husky growl (think Kelly Jones of The Stereophonics) and his selection of covers showcased this perfectly. Starting off with Come Together, stripped right back and accompanied by a lazy guitar, Ewan took us on a wonderful tour of songs we love, sung in his own, unique way. Cast No Shadow led us into his only original song of the evening which is currently untitled, but arguably his best track on the night amongst the rest of the awesomeness he delivered. A song about ending a relationship, with a girl whose smile he would once run a mile to see. She used and abused him, and the story concludes that she’s no good for him. “Welcome No More” would be an apt title for this beautifully penned tune. Candy by Paolo Nutini led to the set finale, a charming rendition of Linger by The Cranberries, proving that this lads voice works with any song. I would love to hear more of his own stuff, I know it’s out there.
Next on the agenda was four piece band the Shaun Grant selective. These guys proved that it’s not just the younger generation that can get the room shaking as their collection of Honkey Tonk Blues mixed with good old fashioned hard rock style songs literally had the floor vibrating under my feet. I’ve seen a lot of passionate performers over the last year but these guys were most definitely feeling the music and it was visually obvious to everyone. Left to right across the stage, the lead vocalist would pout during the musical parts, the next guy along had his head thrown back and eyes closed as he felt the music, and then third along we had the guy grooving along, head bobbing side to side, not forgetting the drummer who was clearly loving and enjoying what he does. Not familiar with their music apart from Thin Lizzys Cowboy Song and Motorheads version of Louie Louie, and a couple of ZZ Top I believe, it was clear they were delivering “Rock- Texas Style” as a theme of America and cowboys ran through their set. Not my usual genre but it didn’t stop me toe tapping and yehaa-ing along with the music.
Main act of the night was ULTRAMEGAOK, billed as a tribute to Grunge. I was more “indie” than grunge, so I knew I wasn’t familiar with a fair few songs from the upcoming set list. Do I let that put me off? Never!
Opening song of the night was Black Rain by Soundgarden. Before hearing vocalist Ruben, I never before thought someone could scream lyrics in tune. The musical cacophony of the band rose up behind him and enveloped the vocalist which not only had floor vibrating like the band before, but it blew the roof off the venue. What an opener. The set list took us through We Die Young with its dirty guitar riffs and abrupt ending, into Outshined and then On a Plain by Nirvana, which gave Rubens softer voice an outing , equally as impressive as the previous, heavier vocals.
The Fixer by Pearl Jam was well received by the crowd, followed by You Know You’re Right and Nothingman. Rooster had a slower pace , with an impressive reverberating guitar solo tucked inside. A few more equally high energy songs followed but Holy Water was one that made me feel I needed to seek out some Soundgarden for my collection as it’s deep grunge groove hit the right notes with me. Even Flow by Pearl Jam showcased a solo by “Chewie” on guitar accompanied by the gentle bat of drums behind him. Ruben is a musical banshee as he puts his all into every song he delivers. To keep up that level throughout such a long set was immensely impressive!
Four more songs took us up to the inevitable encore, of a duo of songs “Say Hello to Heaven” and “Spoonman”, another crowd pleaser.
I can only describe the set as “electric” . High energy from start to finish and I bloody loved it!
Another successful evening at the Marrs Bar supporting talent from our area.
Keep up to date with events at the Marrs Bar –click here
Photos by Lissywitch Photos. To see the whole album from this awesome gig visit her on Facebook here.
Back in March 2017, I fell in love with the music of U2 after seeing tribute band U2Baby. They inspired me to write down my experience of that night, because, the performance I witnessed made me listen to U2 songs in a way I never had before, and to seek out more. It’s fair to say, I fell in love with U2 songs, as performed by U2Baby.
Their return coincided with my birthday shenanigans this year, and after reviewing every other gig I’ve been to since theirs, I’d vowed to leave my reporters notebook at home and just enjoy a night out as a crowd member with my friends for once. However, I couldn’t leave my ears, my brain and my heart at home. They go wherever I go and so yet again I’m compelled to write down my experience, after being left physically and mentally buzzing.
A rare sunny bank holiday weekend, an even rarer Saturday off for me, I woke up knowing I had an epic day ahead of me. During the day I met up with two friends I hadn’t seen for a few years, drinking wine and having a picnic down by the river.
After a quick pit stop home to refuel and change, I was out for the U2Baby gig I’d waited so long for. I’d managed to persuade some friends to join me so I knew the night was going to be as brilliant as the sun soaked, wine filled day. My photographer friend L and I had worked hard to promote this gig in our own way, desperate to provide the kind of crowd U2Baby deserved, fresh from their headline slot at a Tribute festival in Bahrain.
Support came in the form of local acoustic singer/songwriter Tash Hurdiss. Her voice is absolutely incredible, and the audience were stunned into impressed silence during her set. Particular highlights included outstanding covers of Chris Isaacs’ Wicked Game, and Space Oddity by the legend Bowie, for which she was joined onstage retrospectively by Cerys and then Chris, her band mates and also extremely talented local musicians, adding extra support with their guitar flare. Space Oddity, especially, moved most people I had the pleasure of talking to, with Tashs vocals, surprisingly deep and smouldering, lending themselves perfectly to a fitting tribute to a much loved musician. For me, a highlight was a song she wrote herself titled Josephina. From seeing her perform before, I know the song is about her best friend, and it is beautiful, brings tears to my eyes as the message of wishing her well and how much she loves her is so clear. She created a buzz, and since the gig I’ve read so many comments about how amazing the support act was. A triumph for Worcester, the Marrs Bar and those of us desperate to see local artists get the foot up they deserve.
The venue had filled up around me as everyone had been transfixed by Tash, so by 9.15pm when U2Baby took to the stage, we were ready to party.
A wicked guitar riff and energetic drum beat lead us into the first song The Fly, and some of the crowd were on their feet dancing from the outset, something I’ve not seen at a gig for so long, usually waiting until at least a few songs in. This song was the perfect opener on the night, showcasing the bands skills with reverberating guitar solos, rhythmic beats of the drums and the bass was booming. Next was I Will Follow, an early single by U2 with a more indie rock feel, with a chanting chorus that anyone can, and did, pick up on, to sing along to.
Third on the set list was Out of Control, a song written by Bono on his 18th birthday, keeping the crowd singing along and dancing with its fast tempo and wicked, almost mod/punk style verses.
More well known tracks such as Beautiful Day and Vertigo kept us all on our feet and singing along.
Lights of Home was the first song we heard from latest U2 album, Songs of Experience and for me this is where, with a slightly slower tempo and gentler backing track, the vocals of the lead singer really began shine. His voice on the higher notes leading to the title line really took hold of me, I couldn’t help but listen to every word, their meaning becoming clear to me. As I’ve said before, I fell in love with U2 songs the first time I saw U2Baby, but vocally, the tribute bands singer, Ric, resonates with me stronger than Bono himself. As I explain in that first review, U2Baby introduced me to songs I’d never heard before, so it is their version I seek out when I want to listen to a certain song for a reason. Visually too, when I watch U2 performances, I recognise the stance that Adam takes to be the same as that I’ve seen from Ash. The intensity on The Edges face perfectly merges with my memory of Simon. The powerful beats and gentle brushes I see from Larry replicate my recollection of Jon, and the encouragement of interaction from the crowd and stand behind the microphone that Bono takes, is reminiscent of Ric. I’ve done things the wrong way round, seeing U2Baby before becoming a U2 fan, but it works for me. Even down to the equipment used, these guys do not miss a trick.
More classics, Desire and New Years Day, led us into the soft opening of “The Little Things That Give You Away”, another vocal exposing song, which was delivered beautifully and had the hairs on the back of my neck standing. A favourite of mine from the new album, despite many people saying its a “safe” song. The lyrics have developed a personal meaning for me, and to hear them being sung with such emotion makes the crowd fade away so that it’s just me and the band stood in the room. Towards the end, the track picks up pace around the heartfelt vocals, so that the voice and instruments merge beautifully together alongside each other, drums and cymbals crashing, before falling away softly as the song ends. U2Baby performed it with such passion, I felt every word.
The first half of the set was finished off with Still Haven’t Found What I’m Looking For and Until the End of the World, leaving me and the rest of the room wanting more. I didn’t even venture to the bar for fear of missing something.
Second half opened with Even Better Than The Real Thing and the epic Sunday Bloody Sunday. Then we were treated to Trip Through Your Wires, a funky little tune I’d never heard before U2Baby compelled me to go add every album to my CD collection. The harmonica gets another outing after seeing it earlier for Desire, another string to the talented bands bow, and another addition towards their accurate portrayal of the band themselves. One and Ultraviolet followed, before Kite. I took my place firmly by the side of my gig partner L for this one, knowing what meaning the song holds for her. Such an iconic song with powerful lyrics, and a symphony of music to back it up, it was impossible not to feel the emotion from L and from Ric on stage, as his own voice cracked with the purest reality of the song, with the lyric “don’t want to see you cry”, having the opposite effect causing real tears to flow, testament indeed to the band to reproduce such a personal song to the same emotional degree as the real U2. If I see someone cry, it makes me cry too, I’m an emotional, sensitive wreck and music has magical powers to evoke and bring forth every possible emotion.
Following Kite , a little side story developed. Back in May 2017, lead singer Ric joined L and myself at a Mused gig at The Marrs Bar,a relatively local Muse tribute band. Their support act that night was fronted by talented singer, Maddie. Ric thoroughly enjoyed the support act but Maddies awkward boom stand bothered him, so much so he vowed to pass on an original 60’s stand that he no longer needed himself. Easily adjustable with just one hand, the stand was the same as ones used by the likes of Hendrix, Thin Lizzy and Bono himself. True to his word, the stand was presented to Maddie by Ric that night, showing support of a new generation of musicians.
Get Out of Your Own Way turned the mood back to a positive defiance, where the room joined in with the uplifting lyrics empowering people to stick up for themselves and do what they need to do. “I can help you but it’s your fight” rang around the venue. The songs from the newest U2 album going down well with the crowd.
Crowd pleasing anthem With or Without You, led into the deep groove of Bullet the Blue Sky, where a literal spotlight was directed onto Simon as “Economy Edge” by his brother Ric as “Budget Bono”, forcing the focus rightly so on the epic skills of a very talented musician and showing again the amazing attention to detail the boys pay to recreate, as closely as they possibly can, a real live U2 performance.
Next up was Running to Stand Still transitioning into Where the Streets have no name. Without having years of being a U2 fan under my belt, the live performance had escaped my notice of this particular combination, but having now researched it, and watched, I understand the link more, an underlying note feeding one spectacularly into the other. I don’t claim to be a U2 boffin on when and where each nuance and reference comes from, but I know the guys do, and that’s one of many reasons I’m so impressed by them. With some songs, I’m seeing and hearing things for the first time via U2Baby, things that die hard fans know all about from performances by the real band, from mannerisms and quirky little ad-lib outros on certain tracks. I’m learning.
Exit saw the introduction of The Shadowman. Research before the gig, when I heard that the guys were starting to include it in their own show, revealed to me that it was a character created by Bono to help him perform Exit, a song that associated to bad times for him, and it let him step into a different persona to avoid feeling the pain. Watching videos of Bonos Shadowman, the character is mysterious, almost creepy, maybe even a little eccentric, and although Rics portrayal was perhaps slightly less obvious, there were more than enough elements amongst his movements, vocal tone and of course change of outfit to include a dapper hat, to make the character recognisable to fans. Rics version of The Shadowmans entrance onto stage was sinister and almost hypnotic, setting the tone with an apt steely glare, captivating his audience.
The final track of the set was Bad, another song I hadn’t known before seeing these guys the first time round, but have grown to love. It is a fan favourite, especially when performed live as it has complex layers that build up with the intensity of the song, showcasing each instrument, including the voice, perfectly. A song written in memory of a friend with a heroin addiction, it’s another that draws raw emotion from the performers, and a song that has everything. Beautiful musical arrangements, poetic lyrics, powerful meanings and of course notoriety after it was performed by U2 at Live Aid (if you don’t know my reference, Google it). And in true Bono style, the tune ended up with an outro, this one being Heroes by David Bowie, and from just a few lines I was desperate to hear the band play the whole song.
After a few long seconds off stage, the inevitable encore opened a selection box of three more songs. The heart warming All I Want is You, where during the line “cradle to the grave”, the pitch Rics voice hits on a certain note, is enough to make me revert back to being an obsessed teenage girl again, the vibrant and colourful rendition of Helter Skelter and the final song, dedicated to yours truly for my birthday, Elevation, a feel good end to àn epic show. Everyone was up dancing, everyone! With chants of “More” as the band took their final bow, we knew the end had come but were reluctantly letting go, losing ourselves completely in another outstanding, electrifying performance. Why did it have to end? One thing I’ve found since following the band is that the U2 fans are like one big family, all connected by the messages U2 songs hold. U2Baby bring that message to the masses. To people like me, who never has and probably never will see U2 live. Following a tribute band like this one is all inclusive, giving everyone access to the experience of being at a real U2 gig. It’s a feel good, mood lifting, friendly experience where everyone gets together to have a good time. Each member of the band is an exceptional musician in their own right, and deserve to be recognised as such, each playing an audio and visual role in the performance. Each as important as the other.
If the music doesn’t move you, you’re not listening to it right.
Worcester NEEDS to see this band again. We need the excitement. We need the feeling of comradery they bring. We need nights out as epic as they deliver.
2019? I only wish we don’t have to wait so long.
*Disclaimer… All thoughts, opinions and recollections are mine and mine alone! Any inaccuracies can be blamed on the fact that I didn’t intend to review this one so I’m relying on my memory alone of the night! (’twas my birthday night out, in case I hadn’t mentioned!)
Not quite the weekend, not feeling as relaxed and refreshed as the beginning of the week. It’s easy to forgive anyone who wants to stay in and wallow into nothingness.
But, what happens if…. you venture out? From experience, as I crawl closer to my next day off, the thought of rushing home from work to eat, get ready and go out when I have work again the next day, is not one I enjoy. However, also from experience, I often end up so glad I did make the effort.
5th April, Uncover were hosting a line up of four acts at The Marrs Bar.
First up was a young guy going by the name “Keys”. With what I noted down as “epic hair”, he oozed coolness as he and his guitar took to the stage. Unassuming on stage, he treated our ears to a collection of haunting ballads with silky soft vocals. All but one of the tracks performed were from his new EP, 24 Miles, although we did get one song not from the release, and performed without a backing track. His music offered a promise of the sound of the oceans waves, laid back, transporting us to a different, calmer, warmer and almost psychedelic place. His final track, and last track on his EP, Platforms, was my favourite of his set, a tap along, plinky stringed tune, which had me thinking of gentle raindrops in the aforementioned ocean. A nice little start to the evening.
With an upbeat musical intro, next to take the stage were Myra, a four piece band from the West Midlands, offering a little set of covers, some I knew, some I didn’t, (I can only fool myself that I’m 40 going on 20 for so long!) The female vocalist was sassy and on trend, and I particularly liked their grungier, drum beat heavy version of R U Mine by The Artic Monkeys, and the crowd pleasing “I bet you look good on the dancefloor”, with Hash Pipe by Weezer thrown inbetween. I love a good sing along and Myra offered that on the night with youth and enthusiasm, superb musicians who clearly have a future ahead of them, especially if they venture into original material too. From the covers they offered, I think I’d like the musical direction they take.
Third on the agenda was Alex Lleo, a musician I’ve had the pleasure of seeing before, most recently down by the river during Worcester Music Festival. Replace the river with the sea and a sun soaked beach and that’s exactly where Alex’s self penned, heartfelt music and lyrics will take you. Think cruising along a beachfront with the soft top down, wind in your hair, and you’ll get the chilled out vibes I’m describing. Musically on a par, for me, with Paulo Nutini mixed with a little James Morrison, Alex is well known and loved in Worcester, and rightly so. With songs such as This Time Last Year, which spoke of how things have changed, to tales of looking out over New York from a penthouse apartment, we were taken on a journey through his life, a scrapbook in song form. His last song was about his 94 year old Grandad, tugging at our heartstrings with the story of visiting his empty home, described as an Aladdins cave, but without the man himself.
Headline act of the night was Theo. I’d never seen him perform before, but as he set his drum kit up on the floor in front of the audience, not on stage, I was intrigued. I moved closer, having a feeling this would be something kinda special. I wasn’t wrong. I stopped taking notes in the first minute as I was in awe of this guy. One guy, a loop pedal, a guitar and a drum kit. He started off with a few gentle notes on the guitar, then played a riff over the original few notes, looping in the background, then added more, layer upon layer. As the intensity of the looping layers of guitar riffs grew, Theo jumped wildy onto the drums, and the whole, already electrifying performance, went up another notch. Each layer forming an epic musical parade, if I hadn’t seen and heard for myself, I would’ve been forgiven for thinking several musicians stood in front of us. As each tune came to an end, Theo stripped back the layers to start a new one, fading out the drumming, right back down to a gentle strum, but never stopping, one flowed seamlessly into the next, his energy unwavering, pausing only to swig at his drink as the kaleidoscope of sound vibrated around us. His music was inspiring, my 14 year old son went away from that night with ideas forming in his own musical brain.
I would’ve sat at home doing nothing. Instead, for less than a tenner, I saw four awesome artists, and had a brilliant night out with family and friends. Life’s too short to literally Netflix and chill. Get out. Do more. You won’t regret it. Love live music? Then support your local venue. #useitorloseit
A little over a year ago, my best friend and I went along to see a tribute band at our local live music venue.
I wasn’t a fan of the band they were paying tribute to, suffice to say I’d liked some songs they’d released over the years and I owned a Greatest Hits CD, gathering dust in my CD rack.
Seeing the U2 tribute band, U2Baby, changed my life. Drastic, eh? I’m using my right to be a drama queen here, but as dramatic as it sounds, it is a true statement, and I’ll explain why.
Never before have I been compelled to write down how a gig has made me feel, turning it into a blog and setting me on the path I’m now on of writing gig reviews. Also never have I gone and actively scoured the internet to hear a song again, after hearing it performed by a tribute band. Not looking for the U2 version, but looking for a U2Baby version, as that’s the version I’d fallen in love with.
Since the Worcester gig, I have kept in touch with a couple of band members and watched their already successful career grow via social media. Unable to drive and a full time job meaning I work weekends, I’ve been unable to see them live again, but they’ve secured gigs at places such as Sporting Club Monaco, and two hugely successful “shows” at The Cavern Club in Liverpool, as well as being regular after show performers in Dublin when the real U2 are touring.
With gigs like that in their back catalogue of events, little old Worcester is honoured that they’ve decided to come back for a second time.
If you missed them last year, you have less than a month to wait to catch them this year, bigger, better and even more polished than before, and I’m giving you the opportunity to learn more about the band themselves with this little interview I’ve done with the guys ahead of their return.
So go grab a drink, put your feet up and let us do the talking.
Let me introduce you to:-
Ric as Budget Bono
Simon as Economy Edge
Jon as Low Cost Larry
Ash as Affordable Adam
Introduce yourselves, who are U2Baby and how did you form?
Ric – We are a tribute band from the West Side of London and we’ve been together in this line up for just over 3 years. The idea was formed over 15 years ago but I failed to get the right musicians together to accurately recreate the U2 experience. My brother Simon, then started playing U2 tunes and absolutely nailed the Edge’s sound. This convinced me to do a duo and well, it worked! However, the duo wasn’t quite the experience we were looking to deliver, so we looked for two more members to join. Jon and Ash fulfil drum and bass respectively and we also now have Matt on sound.
Its been over a year since Worcester have seen you and a lot has happened since then, including a new U2 album. What can the Worcester crowd expect from you this time around?
Ric – I think we’ve got a lot more accurate in our representation of LIVE U2. We’ve attended quite a few gigs since then including The Joshua Tree 2017 tour and that, well, rubs off on you! You want to do better and better and it leads to more research online and I think ultimately a better live show for us. We’ve also learned a shed load of new songs! Since we played last time I think we’ve added about 20! You can expect a few from the new album, and some real old classics and anthems too.
Simon- A lot of new sound work and “science” that happens behind the scenes. Also new clothes to match the current look, and also I have been working on the attitude of Edge’s stage presence.
Ash- Lots of new songs, better costumes and and even more attention to the little things that make up the show.
I’ve followed you since your first visit here and its fair to say you’ve gone from strength to strength with some pretty impressive gigs under your belts. Which have been your favourites individually?
Ric- My favourite has to be Dublin in 2017. We played when U2 were in town and as a result the Church was packed with U2 fans. The pressure was on, as you can imagine. It went well and we’ve been invited back this year to do the pre- and post- U2 show fan parties at the same venue. We were also videoed live for a film called Dream Out Loud documenting U2 fan stories.
Simon- For me my favourites are not the venues, but the audiences, certainly playing to a massive audience in The Church Dublin was (and will no doubt again) my personal highlight… that energy that you receive from the audience as a performer, knowing the great songs beneath you, is an incredible feeling.
Jon- Dublin, Cardiff, Marrs bar, (of course) and my local Norden Farm.. all for different reasons! Like Simon, it is all about the people.. that is the reason I do what I do. Call me an attention seeker but crowd reaction is what I live for! I can name one very specific point from a recent gig in Cardiff.. 1st song, as the first verse kicks in and, over the top of me playing, the band playing and my in-ear monitors, I hear the crowd singing… “I want to run….” I knew it was going to be a fantastic gig.!!
Ash- I have to say the Dublin ones have been my favourite, with The Cavern being a close second!
Our Facebook group was formed to promote live music in our hometown, as more and more venues close around the country. As a touring tribute band, can you give us a little insight into what you put into a gig away from your hometown? (With regards to rehearsal time, travel arrangements, what gear you bring etc)
Ric – Well we are all rehearsing continually in our own domains. I have a singing setup at home that allows me to play back our last gig and sing over the live band, as it were. Travel can be anything from a short drive to hours and hours (our record was an 11 hour drive to Switzerland for a 40 minute show!). In terms of gear its a couple of van loads if we are providing the PA system, but generally most venues supply that. We have really invested in top quality kit and use the same FX systems that U2 use on stage (albeit scaled down a little!). The sound is really important to us.
Simon- the whole process starts with identifying the specific version of a song we would like to perform, I then go through and produce our “production” materials, which include clicks and cues, and any backing material (incidental music parts) or like now, working on full orchestra for Lights of Home… after that we separately learn our parts, I build my “tone” for that song, and the “scenes” within each like chorus, verse tones etc… and then we come together to rehearse. Only when we are really happy with all of that can a song go on the setlist! So many, many hours work.
Jon – I turn up at the time they tell me to! For gear, I have everything in the correct place/bag. Has to be the same everytime, for consistency.
Ash- We like to travel with all the gear, we have two vans (which we usually fill to the brim!) as for practice, we all do our own separately and then come together when we’ve learned all the new material and then work on it as a whole and get the performance right.
Is there a collective favourite song you love performing?
Ric- I think we are enjoying the new songs because none of us have any preconceptions…. They are all hitting us at the same time
Simon – I think Streets is an awesome collective piece. It brings together strong backing track content, massive drums, great guitar riff and bass parts including classic Moog Taurus. Not to mention the lyrical content.
Jon- I think drummers just like playing! There are some stand out songs for me. The intro to Streets is just so powerful, I love it. I like the heavy, full on tunes like Until the end of the world/The fly, of course, but I really like the dynamics of Iris, Invisible and the middle – 8 sections where everything drops before we go off again.. I love the dynamic journey.
Ash- We all have our favourites, I think as a band we like playing the ones that get the crowd going the most.
And on the flip side, each U2 song showcases talents of different band members, which are your individual favourites to perform and why?
Ric- I like the big ballads…. One, With or Without You and even the newer one’s like The Little Things That Give You Away. Intensely personal songs, like Kite and Iris, are also favourites as they tap into my emotions and deliver a highly connected experience to the audience.
Simon- Until the End of the World (because of the great solo).
Jon- I love all the classics. Larry has many signature rhythms, so for me to try to emulate any of those is fantastic, (not that I aways get them right!) I love 40, especially the end.. basically all of them!
Ash- My personal favourite is The Streets, as I get to play my Taurus (a kind of piano you play with your feet) and its such a big sounding song and always gets the crowd going.
How often do you get together to rehearse?
Ric- We get together every two weeks for about 5-6 hours solid – we come prepared so that we can just rattle through the older songs and spend more time on new things.
Simon – Quite a lot… usually tuesdays. We are very lucky with the rehearsal space we are allowed to use.
Ash-We usually rehearse more when we have gigs coming up or like at the moment, as we are adding lots of new songs from the new album.
How long does it take you to learn a new song to add into your repertoire?
Ric- It can really vary from a single run through together and its nailed, through to weeks of rehearsing them to get them bedded in. There’s no real average as it depends on the song complexity.
Simon – Depends on the song… Lights of Home is already several weeks into the development process and we haven’t played a single note together on it yet!
Jon- Completely depends on the song.. but for some reason I need to play it at rehearsal, record it and listen back before I can get under the skin of it.
Ash- Not too long, we are all experienced musicians and have had lots of practice in learning material.
How far do you go to achieve an authentic U2 experience? (For example, most expensive piece of kit purchased, or replica outfit etc)
Ric- Ha ha ha – don’t go there! The last leather jacket I bought was about £1500. I think that’s close to the price of some of the items of equipment. Put it this way the band has made a major investment in authentic equipment including signature guitars, AXE FX guitar systems, Manley vocal processing…. If he changes his sunglasses again I will go spare….
Simon – Its a scary thing to look at what we have spent to produce this show. My guitar rig (whilst smaller!) is practically identical to the real thing.
Jon- no-where near the level of the others!
Ash – Well!!!! I’ve had my Adam jackets custom made, I used to work for a costume department and I sew, so I make some of the shirts etc. All the equipment I use is as close to what Adam uses as I can afford! I now have 3 of his basses, one I made and I bought the others, the most expensive being the new purple sparkly Fender Precision which actually melted my credit card!!!
Seeing the real U2 perform must be a surreal experience for you. Do you find yourselves taking mental notes of things or are you able to switch off the “personas” and enjoy the show?
Ric- Switch off completely when at a live show. That’s what YouTube is there for. When I’m there my phone is tucked away in my pocket and I just live for the moment.
Simon – When I saw them at the O2 in London during I+e tour, I really studied, but I could… I was about 5 feet from The Edge…. bass was intense. But at Twickenham on the Joshua Tree Tour 2017, I was a little further back, and really enjoyed the audience experience.
Jon – I can’t fully enjoy any gig as I just want to be up on stage.
Ash – Unfortunately I never switch off, I take seeing them as a way to improve my performance.
Music is pure emotion, and some songs have personal meanings to me, do you have songs that relate to times in your lives that you find harder to perform, or maybe even a joy to perform as it reminds you of good times?
Ric – Yes – Sometimes You Can’t Make It on Your Own and Kite almost make me cry when singing. They take me to some very personal memories. That’s all I’m saying!
Simon- All of these songs have a lot of interwoven meanings and special aspects for me. I am regularly floored by the emotion in some!
Jon – my main memory is my girlfriend at the time playing me Under a blood red sky sometime in about 1984, then the iconic performance of Bad at Live aid the year after.
Ash- City Of Blinding lights is the one for me, has great memories
Do you get nerves before a show?
Ric – Good nerves yes. Really just want to deliver the best show we can as people have paid good money to see it. It’s not nerves over the quality of what we do but just nerves that drive us forward really.
Simon- I don’t think I’ve ever got “nerves” before… excitement yes, but not nerves…
Jon – I get apprehensive, usually during the day. sometime more about forgetting something.. I have a recurring dream about rushing to get something from the dressing room and trying to get back in time for the first song!! that’s been going on for years!
Ash- Not really
Every band has a diva, who is yours and why?
Simon- Guess… LOL. I think its Jon, closely followed by Ric. But he has to..
Ric -I agree with Simon… My diva’ness comes out of my persona… whereas Jon is a true Diva.
Jon – Very funny EDGE!! I can read you know!!
Ash- Being diplomatic, I think we are all a bit, It’s just the nature of the job!
Onstage, do you tend to stick to your U2 alter egos, or will we see a little glimpse of the guys behind the band?
Ric – We’re just us playing the music of U2. Sure we try to copy the visual elements of movement and so forth. But we don’t try to copy accents and stuff… so you are really seeing us recreating iconic U2 moments.
Simon- Unless something goes wrong, I try to stay in character… but usually by the end of a gig, people are just enjoying the music so much, we can relax a little.
Jon – I can only look miserable for a few minutes!! (that’s a joke, of course). I struggle to do much other than play in time and play the right bit of the song! I spend most of the gig with my eyes closed listening to the ‘Click’, trying to concentrate, so in that regard, I am not like Larry at all.
Ash – Hopefully not, otherwise I’m not doing my job!!! We are a U2 show not a bunch of guys playing U2 songs. I like to think we are more of a replica than a tribute.
The Marrs Bar is a fairly intimate venue, and you have also played at some big festivals. Do you have a preference between big festivals or up close and personal gigs?
Ric – They are both brilliant. I don’t mind either way. It can be great playing to a small group of 50 or to a massive crowd of 1000s…. We’d put on the same show regardless.
Simon – Like I said earlier, it’s not so much the venue, but the audience. I like to play to an excited audience. If we get to do that… it’s all good. “wherever”
Jon – I prefer the intimate where I can see people are enjoying it, even better if can hear them singing.. 🙂
Ash – I love both, you get something different from every venue and audience.
Worcester, we are in for a real treat. Whether you are a U2 fan or not, this will be a show worth seeing, because it is a “show”. A performance of epic proportions that any live music lover will appreciate. Also, you’ll be supporting a live music venue in our hometown that I have grown to love since starting on this new venture of reviewing gigs. The sound, the buzz, the atmosphere when the venue is full. I’d be lost without it.
I’ve been counting down the days to see U2Baby again, and I hope you’ll a join me on the ride. I’ll be there, With or without you, but I’m hoping it’ll be with you.
Saturday 5th May, it’s a date, see you there 😉
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